TV picks of the week: 29 April to 5 May
The Curry House Kid
Monday: Channel 4, 10.00pm
Exploring stories of immigration, choreographer and dancer Akram Khan takes a trip back in time to the curry houses from his childhood.
Exploring stories of immigration, choreographer and dancer Akram Khan takes a trip back in time to the curry houses from his childhood.
You wait years for a TV comedy centred on the disruption caused by the sudden arrival of a foreign migrant in a settled world and, suddenly, two come along at once.
This spring, Channel 4 has showcased Home, Rufus Jones’s well-received show in which his uptight character, Peter, and partner return from holiday to find a Syrian man called Sami (Youssef Kerkour) living in the boot of the family car.
ITV Studios’ Managing Director, Julian Bellamy, wants people to know that he is open for business for creative talent and great ideas – wherever they may come from.
“We’re in a world now where creative talent has never been more in demand, more diverse, more commercial, more mobile – and if you don’t embrace that as a producer, you won’t survive and prosper,” he said.
Bellamy already has a large talent pool to choose from. ITV’s strategy of acquiring independent production companies means that it owns 23 labels in the UK alone, with investment in a further five.
Timewasters has charmed critics and attracted healthy audiences with its mix of jazz, time travel and good jokes. Notably, it also has an all-black leading cast but, according to its creator, Daniel Lawrence Taylor, it is, “first and foremost”, a comedy.
Updated for television, Chimerica takes place during the 2016 US Presidential election and explores current political issues including censorship, fake news and the impact of political protest.
Best known for taking gold during the Beijing and London Olympics, cyclist Victoria Pendleton also won nine World Championship gold medals during her career.
Pendleton has since switched saddles to compete as a professional jockey.
Over the past couple of decades, Stephen Graham has become increasingly hard to avoid on both TV and film. The variety of roles he’s taken on is extraordinary. He can play cops and robbers, modern and period drama, ordinary and larger-than-life characters. He is convincing in all of them.
Peek around the corner of Badgers Bar in Derry and you’ll see the larger-than-life faces of Erin, Clare, Michelle, Orla and James plastered over the wall. As far as signs of a show’s success go, they don’t get much bigger than a five-metre-high mural.
From the moment the profane and brilliant Derry Girls burst on to our screens last year in a haze of teenage escapades, nostalgic music and 1990s artefacts – such as pastel printed wallpaper, Baby-G watches and armed soldiers on the streets – it captivated its audience.
As TV producers, we’re facing more global competition than ever before. Whenever they wish, viewers can watch one of many programmes from around the world on Netflix or Amazon, rather than one of our shows. Or they can stream or download dozens of feature films available via their TV sets.
I genuinely believe that the best response to this difficult situation is to embrace the creativity of the whole country, and not just rely on Londonbased programme-makers.
Surprise hit of the week is 100 Vaginas, in which the artist Laura Dodsworth photographs the genitalia of 100 women and then talks to them about the images and how they feel about their bodies. It’s a great film – bold and political and warm – but firmly at the art-house end of the channel’s output. Everyone is delighted when it attracts an audience of more than 1 million.