Contract negotiations with the BBC broke down when the corporation reportedly wouldn't match Channel 4's offer.
The shock announcement was followed by the news that presenters Sue Perkins and Mel Giedroyc would not be following the show after it left BBC One. Star judges Mary Berry and Paul Hollywood have not yet confirmed if they will stay with the production.
This is your chance to meet the NHU face to face; view excerpts from and discuss their latest visual feast, 'Life in the Air'; and find out more about wildlife film-making by putting questions to some of their most experienced producers on anything from innovative shooting techniques and specialist equipment to their approach to ethical issues and social media.
This conference will consider the portrayal of poverty on television; it is being held by the BBC, The Royal Television Society, NCVO and the Joseph Rowntree Foundation.
Who Benefits? will be chaired by BBC Breakfast presenter, Louise Minchin. We'll be looking at some of the reality TV and documentary programmes that have been made in poorer communities: what they are, how they are made, and why audiences watch them.
From drumsticks to diary entries, new BBC Four series the People’s History of Pop (PHOP) will look at the evolution of music through the eyes of its fans.
The series will be split into four episodes, to air throughout 2016, each focusing on a different decade of pop history.
In an industry first, production company 7 Wonder is working with Historypin, a user-generated digital archive of historical artefacts, to collate music memorabilia from fans across the country.
Campbell Swinton was one of Scotland’s pioneers of television technology whose legacy RTS continues to celebrate with a series of high level lectures. The last two speakers were then SNP leader Alex Salmond and BBC Scotland Director Ken MacQuarrie.
Rising above the political fray in Westminster and Holyrood, Claire Enders will explain the purpose and foundations of the PSB system of producing and commissioning news and current affairs, quality entertainment and documentaries, sustained by the BBC, C4, ITV, STV and C5.
The challenges of a shifting TV landscape will be discussed by television executives at this year's RTS Cambridge Convention, chaired by BBC Director-General Tony Hall.
Click here for the latest programme and news about Cambridge 2015
Anita Singh, arts and entertainment editor of the Daily Telegraph, chaired this festive RTS event, looking at Christmas television's past, present and future with Lord Grade, BBC Entertainment Controller Kate Phillips and BBC Click presenter Kate Russell.
Over nearly four decades, Michael, now Lord, Grade walked the corridors of power at London Weekend Television, the BBC, Channel 4 and ITV – no one is more qualified to discuss the enduring appeal of Christmas telly.
Lord Grade commissioned many of the nation’s most memorable festive programmes, including the 1986 Christmas Day EastEnders when Den issued Angie with divorce papers. Ratings topped 30 million, although that figure includes viewers of a repeat showing.
We take a look at some of the weirdest holiday specials, from killer snowmen to passive aggressive relatives.
Writer Charlie Brooker sets a tranquil scene in the beginning of the Black Mirror Christmas episode, before dragging viewers along a twisted story of loneliness and ostracisation.
Inspired by Tana French’s Dublin Murder Squad novels, the series follows detectives Rob Reilly (Killian Scott) and Cassie Maddox (Sarah Greene).
It sees the pair attempt to solve the murders of a young ballerina and a vivacious free-spirited woman.
Set during the height of the Celtic Tiger financial boom, the two murders, seemingly unrelated, are revealed to be connected through the cruel elements in both cases.
