As leader of one of the world’s largest media and entertainment companies, Burke will share his views on global media trends, how NBCUniversal is capitalising on shifts in consumer, technological and market dynamics, and his expectations for the future.
This year's RTS London Student Awards Ceremony will be hosted by Ore Oduba, the rising star of sports broadcasting and a regular face on the UK’s leading morning news programme, BBC Breakfast,
Tickets are available for the nominees and their university staff, with 20 available on ballot for members to attend and network with the next generation of TV creatives.
“There’s so much content and it’s in so many places. Finding a way of navigating, aggregating and personalising that content for the consumer is going to be key,” said Helen Stevens, ITV’s operations officer, content supply & distribution and Chair of the DPP.
Rowan de Pomerai, the DPP’s chief technology officer, added: “Voice search and aggregated watch lists will start to become really important to the way consumers navigate media.”
He called on “content and technology companies to work together”.
Over the past year, SVoD services such as Disney+, HBO Max, Peacock (NBCUniversal) and AppleTV+ have come on stream, joining the likes of Netflix and Amazon.
Alan Wolk, co-founder of media consultancy TV[R]EV, speaking from New Jersey, dubbed the streaming boom a “flixcopalypse”. He said two more – Paramount+ and Discovery+ – were due to launch soon.
Success is not guaranteed. The short-form streamer Quibi, launched by former Disney exec Jeffrey Katzenberg, collapsed this month after only half a year in business.
Normally at this time of year, RTS London partners with the IET to review the International Broadcast Convention in Amsterdam. However, IBC was yet another victim of Covid-19, with events moving online.
Accelerators are fast-track, collaborative innovation projects that address complex media and entertainment industry business and technology challenges. There were eight IBC projects this year, running for around five months.
ITV Network’s first head of technology discussed the big developments in television or what he referred to as “the fun factory”, from the early 1960s when he worked in ABC TV’s engineering research department at Teddington Studios to ITV in the 1990s.
At ABC he worked on the problems of using colour film in television and, in particular, on The Avengers. He went on to develop the first computer-controlled presentation switcher in Europe.
In late August, RTS London invited a panel of Arrow representatives, chaired by Muki Kulhan, to explain how the factual indie did it.
Production executive Carrie Pennifer explained that lockdown had meant no shooting or access to the edit suite, and everyone working remotely. Post-production manager Kyran Speirs had more than 20 unfinished programmes to deliver.
Since starting at the BBC in 1961, he has worked on some of the UK’s most loved shows, including Dad’s Army and Morecambe and Wise.
In a new RTS London film, It’s All About the Sound, McCarthy discusses his career at the BBC and as a freelancer with Strictly Come Dancing sound supervisor Richard Sillitto, a colleague over many years.
Will Pitt, head of sport at video management specialists Imagen, was talking at an upbeat joint RTS Archive Group/RTS London event, “Protecting our TV heritage”, in early March.
He was backed by BFI head of conservation Charles Fairall, who noted that the digitisation of TV archive material has made it “instantly accessible”.