The Crown's creators discuss making the hit Netflix series
The creators of Netflix's The Crown explain why sometimes its necessary to forsake accuracy, but never truth, in a drama based on real events
The creators of Netflix's The Crown explain why sometimes its necessary to forsake accuracy, but never truth, in a drama based on real events
The lavish ten-part Netflix series became another outstanding triumph for writer Peter Morgan and a distinguished team . Critics noted a “startling attention to detail in everything from costumes to sets” and thought it hard to see how it could be better.
The show set out to tell the inside story of the most famous addresses in the world, Buckingham Palace and 10 Downing Street, and it did just that, exploring the intrigues, love lives and machinations of post-war Britain.
Rebecca Hall (Godzilla x Kong: The New Empire) stars as English teacher Claire, whose life begins to unravel when she hears ‘the hum’. Tensions rise between her and her husband Paul (Prasanna Puwanarajah, The Crown) and daughter Ashley (Mia Tharia, Phoenix Rise). Doctor after doctor is left stumped by Claire’s condition, leaving her more frustrated and confused than ever.
Welcome back to Shetland, which must have the most murders per capita of any archipelago in the world.
The vastly influential showrunner Shonda Rhimes may be American, but she knows a lot about the British way of life. You need only watch her TV blockbuster Bridgerton to prove that point.
As for Britain’s creative edge – the theme of this year’s RTS London Convention – Rhimes puts it down to a mysterious “secret sauce”.
Netflix Co-CEO Ted Sarandos opened the RTS London Convention with a generous address that highlighted the role British TV has played in the US streamer’s rise to global dominance. Emphasising Netflix’s many UK productions and its heavy investment in studios, he said: “We couldn’t be more excited to be here – and, believe me, we’re not going anywhere.”
The RTS, said Sarandos, holds “a special place in my heart”, recalling that at the 2016 London Convention he premiered a trailer for the first season of The Crown, “a show that stood conventional wisdom on its head”.
Together with Chibnall’s screenwriting, Suzanne Mackie (The Crown) will executive produce the series with Good Omens’ Chris Sussman. Chris Sweeney (The Tourist, Back to Life) will direct.
There is no word on how closely the team will adapt the book, as recent adaptions of Agatha Christie’s work have opted to update the material for modern audiences.
RTS London heard how the visual effects were created for The Crown over six series of the landmark Netflix drama – everything from recreating Buckingham Palace to real-life incidents such as the death of Princess Diana in Paris, the Aberfan disaster and the fire at Windsor Castle.
“[As] a historical drama, there are things that we have to… recreate, so we needed visual effects to be able to bring those stories to life,” explained Reece Ewing, VFX (visual effects) producer and post-production supervisor, who joined the drama in series three.
If four series of lavish production and high-stakes storylines about the upper echelons of the aristocracy weren’t enough to whet appetites for series five of The Crown, the recent death of Queen Elizabeth II will have piqued yet more interest in Netflix’s flagship show.
In the days following the monarch’s death, The Crown’s audience rose more than 800% in the UK, according to data analytics firm Whip Media. This is a reminder, if one were needed, of the strong emotional connection many viewers feel to the British Royal Family.
Imelda Staunton is succeeding Olivia Colman as Queen Elizabeth II, and will be presiding over what was a turbulent period for the family.
On her accession, Staunton told Tulum: "What has been nice, and I hope I don’t prove them wrong, is people saying, ‘I’m really looking forward to seeing her as the queen.' So, let’s just hope that works out for them, because I’ve done it. Nothing I can do about it now!"