Channel 4 swept the boards at last night’s Grierson Awards, which celebrate documentaries that have made a significant contribution to the form.
RTS award-winner Grayson Perry was crowned Documentary Presenter of the Year for his Channel 4 series Who Are You? with Grierson Trust chairman Lorraine Heggessey calling Perry a national treasure who “is an interviewer who gets under the skin of his subjects and an artist who captures their essence.”
The challenges of a shifting TV landscape will be discussed by television executives at this year's RTS Cambridge Convention, chaired by BBC Director-General Tony Hall.
Click here for the latest programme and news about Cambridge 2015
It would be no exaggeration to say that British TV drama and comedy over the past 30 years would have looked very different without Andy Harries, a producer with his finger on the popular pulse, but never at the expense of quality.
While working in-house at Granada and then for his own production company, Left Bank Pictures, Harries’ hits have included Cold Feet, The Deal, Quiz and, of course, The Crown. There have also been acclaimed films, most notably The Queen and The Damned United.
Andy Harries, the acclaimed TV and film producer of The Royle Family, The Queen and The Crown, looks back on an extraordinary career and reveals how he continually won both audience and critical acclaim.
Harries was talking to former BBC One Controller Lorraine Heggessey.
Demand was “greater than ever” but “there is a skills shortage”, costs were rising by at least 10% per year and there had been no increase in tariffs, was All3Media CEO Jane Turton’s sober assessment of the state of TV production in the UK.
The big question for BBC Studios CEO of production Ralph Lee was whether the rising costs and wage bills were a long-term inflationary trend or a short-term effect of the pandemic and of “still [being] in the middle of trying to get the shows delivered”.
I still experience that “back to school” feeling in September, even though my daughters have long since finished their education. This year, it’s magnified as life starts returning to some kind of normal after months of Covid constraints.
I’ll be going to my first industry event for nearly two years, the RTS Convention in Cambridge. I’ve missed the buzz and energy of being in the same room with people, so I am feeling quite exhilarated.
Among the subjects they covered were the UK’s inadequate digital infrastructure, Netflix, Brexit and, inevitably, The Great British Bake Off.
Matt Hancock’s speech in the previous session found favour with the panel. BBC chief Tony Hall welcomed the emphasis the Minister of State for Digital and Culture had put on “social and regional” diversity in television.
Top Gear was “an accident waiting to happen”, said Lorraine Heggessey, who told the audience enjoying her RTS London Christmas Lecture that she would have dealt with the programme’s presenter, Jeremy Clarkson, more quickly.
“Jeremy is a bit like a spoiled toddler,” she said. He had “crossed the line several times with quite racist remarks and got away with it”, added the former BBC and TalkbackThames executive.
It was time to take stock. After three days of intense and stimulating debate, Lorraine Heggessey corralled some of broadcasting’s big beasts onstage to chew the fat at the final session of Cambridge 2015. Was television heading for Happy Valley or was the House of Cards about to collapse?
There is little agreement about whether increasing US ownership of Britain’s independent sector threatens or sustains home-grown production and the UK’s unique creative culture.
A feisty session at the Convention, “Working for the yankee dollar? Consolidation and creativity”, offered conflicting views, not only on foreign ownership but also on the surprise review into the terms of trade announced by minister John Whittingdale the day before.
