Now's a great time to get into writing for TV. There have never been more opportunities for scripted programming. To stand out from the crowd, an idea should seem original and distinctive.
While the breadth of programming has increased, the traditional formats have remained dominant. Your writing should fit the standard models for a mini-series, a serial or an episodic series; 30 minutes for comedy, 60 minutes for drama.
Happy Valley actor Sarah Lancashire stars as social worker Miriam who is thrust into the spotlight when a child in her care, Kiri, is abducted and killed after an unsupervised visit to her biological family. The no-nonsense social worker loves and believes in her job, but has a maverick and instinctive approach to dealing with the children she looks after, which draws attention as the media buzz intensifies.
Miriam (Lancashire) and the families at the centre of the storm are forced to ask tough questions, not just of themselves, but of those they love the most.
The broadcaster announced in November that it had commissioned the adaptation from Bad Wolf and New Line Cinema.
Philip Pullman’s epic fantasy trilogy has sold close to 17.5 million copies around the globe and has been translated into more than 40 languages.
As a child, Jack Thorne was a devoted TV viewer who’d some-times risk compromising his personal hygiene – all for the sake of his favourite programmes. He was reluctant to leave the box’s magical embrace and delayed taking a shower until the commercial break rolled round.
“That’s fine when you’re eight, but less good when you’re 14,” says Thorne. He has a wide, open face, which lights up like a Belisha beacon when he recalls his childhood and adolescent TV addiction.
