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Daniel Sloss: Finding comedy in chaos

“I understand my comedy isn’t for everyone, I would never want to be a comedian that appealed to everyone,” admits the Scottish comedian.

Describing his sense of humour as a “darkness”, Sloss often questions offensive comedy in his stand up. “My intention is never to offend…you’re choosing to be offended.”

“I don’t enjoy truly offending anyone, I’m still growing and learning. [But] there is a level of narcissism to being offended by comedy that I am jealous of. You go to a comedian’s show and sit there and think, ‘is this about me?’, that’s all being offended is.”

The Crown: Deconstructing the Coronation

The lavish ten-part Netflix series became another outstanding triumph for writer Peter Morgan and a distinguished team . Critics noted a “startling attention to detail in everything from costumes to sets” and thought it hard to see how it could be better.

The show set out to tell the inside story of the most famous addresses in the world, Buckingham Palace and 10 Downing Street, and it did just that, exploring the intrigues, love lives and machinations of post-war Britain.

Watch the trailer for The Crown’s third series

Olivia Colman as HRM Queen Elizabeth II (Credit: Sophie Mutevelian)

The series takes place during a rapidly changing Britain that faces a failing financial climate and the rise of political agendas against royalism.

The new trailer opens with The Queen reflecting on her reign and the inner tensions within the Royal family as they endure personal struggles in service of their subjects.

RTS London reflect on this year's RTS Cambridge Convention

Reed Hastings and Kirsty Wark (Credit: RTS/Richard Kendal)

The late-September event was hosted by the University of Westminster, and chaired by media producer and consultant Aradhna Tayal. It featured Bloomberg media reporter Joe Mayes, London Centre Chair Phil Barnes and James Cordell, a London committee member and first-time attendee at the convention.

The panel noted that one of the key themes throughout was the rise of streaming and whether the already established subscription video on demand (SVoD) companies – with more set to enter the market – will dominate the UK broadcast industry.

The End of the F***ing World announces release date for series two

Jessica Barden (Credit: Channel 4)

The eight-part series will air two episodes in a double bill every night starting on Monday 4th November, with the entire series available to stream on All 4 following premiere's double bill.

Jessica Barden reprises her role as mouthy and brazen runaway Alyssa, but the fate of James (Alex Lawther) is yet to be determined.

New images show Alyssa dressed as a bride outside a remote woodland café and in a diner uniform in the forest.

Netflix renews Stranger Things for fourth series

The 80s inspired sci-fi show, created by the Duffer Brothers, follows the residents of Hawkins, Indiana, as they struggle to uncover truth behind a series of supernatural happenings occurring within their previously quiet town.

The new series tagline, ‘We’re not in Hawkins anymore’, suggests that Stranger Things will explore The Upside Down in a new location.

Mark Thompson warns government policies endanger the BBC at the Steve Hewlett Memorial Lecture

Mark Thompson, President and CEO of The New York Times Company (Credit: Paul Hampartsoumian)

Giving the third Steve Hewlett Memorial Lecture at London’s Westminster University, he accused policy makers of largely concentrating “on tightening the funding pressure and other constraints on the BBC further” including “the disastrous withdrawal of funding free licence fees for the over 75’s” agreed in the 2016 Charter now coming into full effect.