It is said that costume suppliers can spot the next television trend by the sudden emptying of certain bins and racks. A run on tuxes and flapper dresses heralds more 1920s dramas in the schedules; a rush order for spats, monocles and driving goggles means that another PG Wodehouse dramatisation is on the way.
Canadian Musician Drake is a huge fan of the series and is attached to the project as executive producer. The new 10-part series, which is set to premier in 2019 will pick up where series two left off.
Ashley Walters and Kane Robinson (Kano) will reprise their roles as Dushane and Sully, as they attempt to dominate the London drug trade.
Top Boy’s original creative team, Charles Steel, Alasdair Flind, Ronan Bennet and Yann Demange will return for the project, which was originally broadcast on Channel 4 then made available on Netflix.
"The UK is sleepwalking towards a serious, long term weakening of its TV production industry," said Hall, in front of a DCMS committee in Westminster on Tuesday November 7th .
Hall proposed the idea of a new, paid-for on-demand service featuring BBC programming, following the closure of the BBC Store after only 18 months.
The appetite for video on demand (VOD) and other third-party platforms is growing in the UK and abroad, in what is a rapidly changing TV market.
Colman, best known for her roles in Broadchurch and The Night Manager, is the first star to be announced for the third series of the Netflix drama series.
The entire cast is set to be replaced for the next phase of the Queen's reign when the drama jumps ahead to 1960s Britain at the end of the second series.
The three-day Convention featured keynotes from James Murdoch, Ofcom chief Sharon White and the Secretary of State Karen Bradley MP, as well as some lively panel discussions.
Watch highlights from the event below, or scroll down to watch the sessions in full. You can read more about this year's RTS Cambridge in the October issue of Television magazine.
It’s the dream scenario for a producer: to be handed a huge budget and the creative freedom to create compelling content for a new platform. Producers Andy Harries and Andy Wilman, in conversation with Peter Fincham, discuss the origins and production of The Crown and The Grand Tour respectively. How did it work, how sustainable is it and where do they go from here?
The research shows that UK viewers favour binge watching television series over waiting for new episodes each week, with 40 million people watching series back-to-back.
One third of the people binge watching episodes do so every week, and more than half do so monthly.
The study, included in the annual Communications Market Research 2017, has also shown a significant difference in viewing habits between younger and older audiences.
The eerie trailer begins with the four childhood friends Dustin (Gaten Matarazzo), Lucas (Caleb McLaughlin), Mike (Finn Wolfhard) and Will (Noah Schnapp) playing innocently on an arcade game.
The atmosphere quickly changes as Will Byers is momentarily transported back into the dark Upside Down world and faced with a much bigger threat than the terrifying Demogorgon.
When Andy Harries was planning what became drama specialist Left Bank Pictures, around a decade ago, experienced TV executives told him that he was backing the wrong horse. They said that drama – expensive, time-consuming and hard to get right – was in decline. Reality shows were the future.
Today, drama is booming as never before and, by some reckonings, Left Bank is responsible for a fifth of all the TV drama produced in the UK.
Adapted from novelist Harlan Coben’s story of the same name, the eight-part drama also stars Amanda Abbington (Sherlock, Crooked House).
The screenplay has been written by Bafta and Emmy Award winning writer Danny Brocklehurst (Ordinary Lies, The Driver, Shameless) and will stream globally on Netflix, apart from in France where it will be shown on Canal+.