Kenneth Law lives in Toronto, and is accused of sending over 1,000 packages of poison around the world to people intent on dying by suicide.
The deaths allegedly connected to Law now number in the hundreds, including 97 in the UK. Due to stand trial for numerous counts of first-degree murder in Canada, a conviction would officially make Law one of the most prolific killers in history.
Crimewatch has been helping the police catch criminals for 40 years, and production staff and presenters past and present gathered at an RTS Cymru Wales event to celebrate the enduring success of this unusual partnership.
Since it began in 1984, with the idea of getting the public involved in solving crimes by staging reconstructions to jog the memories of witnesses, Crimewatch has made more than 700 programmes and 7,000 appeals on behalf of police forces around the UK.
A writer friend of mine defines a gripping documentary as “great drama” telling “a compelling story with a character we can root for”. There’s no doubt that mass audiences are there for documentaries, but what are the storytelling techniques that keep them hooked?
We’re living in an age when documentaries are everywhere, shown across broadcasters and streamers. From science to survival, travel to true crime, the storytelling techniques are now more sophisticated than they have ever been.
What Lisa [Squire] wanted was for us to get this message across: you should always report non-contact sexual offences. Because it does make a difference.” Candour Productions’ Anna Hall was speaking at an RTS Yorkshire event on 31 January – five years to the day that Squire’s daughter Libby was abducted, raped and murdered in Hull.
Just how this reporting makes a difference becomes clear during Humberside Police’s hunt for Libby’s killer, in Candour’s powerful Bafta-winning, three-part series Libby, Are You Home Yet?.
The Christmas before last, you might have expected the most streamed programme in the UK to be The Holiday or Elf. In fact, it was My Lover My Killer, the Netflix series exploring the cases of murder victims who meet tragic ends after relationships turn deadly. It’s not typical festive fare, but testament to the mushrooming market for true crime, via TV – both factual and drama – as well as podcasts and, increasingly, TikTok.
Before she’d even finished reading the novel, bestselling author Juno Dawson approached Clark to adapt it for television.
Clark, who was just named one of Granta’s Best Young British Novelists of 2023, became more widely known after her first novel Boy Parts went viral on TikTok, causing it to become a ‘BookTok’ hit.
The eight-episode programme will detail the exploits of digital manipulators, using first-person testimony from the people they targeted. Catfishing, gaslighting and deception all take centre-stage, as the show explores the darker side of dating sites and online messaging.
Produced by First Look TV, the hour-long programme delves into several of the tools used by manipulators, from love bombing to mirroring to breadcrumbing.
At one point in his book Inside Black Mirror, when discussing the inspiration for his global dystopian sci-fi phenomenon, Charlie Brooker credits the “shiny adverts for Apple” that were appearing at the time. He says: “Being a paranoid person, as soon as I see any advert where everyone’s really happy and smiley, I immediately think it’s a bit like a sinister advert in a dystopian movie.… The fact that it looked so happy meant that it couldn’t last.”
When Delia Balmer first met John Sweeney in a Camden pub in 1991, there was no way of knowing the kind of monster he was. Affable and charming, she was immediately drawn to his creative, free-spirited nature, and they began a romantic relationship.
This magnetism quickly faded: John Sweeney was a psychopathic serial killer.
Anna Maxwell-Martin (Motherland) will star as Delia Balmer, whilst Shaun Evans (Endeavour) takes the mantle of John Sweeney.
At an intimate RTS event in London’s British Library, members gathered to enjoy an illuminating discussion between bestselling crime novelists Mark Billingham and Douglas Skelton and A+E Networks executive Dan Korn. Attendees were also treated to exclusive excerpts from Crime+Investigation’s documentary series Once Upon a True Crime.
