The challenges of a shifting TV landscape will be discussed by television executives at this year's RTS Cambridge Convention, chaired by BBC Director-General Tony Hall.
Veteran presenter Lorraine Kelly led a storming session on the challenge of social mobility in the TV industry, telling the Cambridge audience it was “a miracle I’m standing here talking to you”.
Thirty-five years after the Scottish presenter first appeared on our screens, she remembered: “My TV career was almost over before it began. Being working class when I started out meant a lot of doors in telly were firmly closed to me.”
Trust isn’t scientific, it’s instinctive, it comes from the gut, not from the brain,” Martin Lewis told the Cambridge audience, and he should know. The founder of MoneySavingExpert.com, consumer business warrior and the man who sued Facebook and won is also the most trusted man in Britain, according to Google.
In her third and final appearance at an RTS Cambridge Convention, the outgoing CEO of Ofcom, Sharon White, gave a candid insight into what she described as the regulator’s tense relationship with the BBC, and reflected on why the TV industry had failed to improve its record on diversity.
At her final Cambridge, Ofcom’s CEO Sharon White talks to ITN’s Julie Etchingham about the challenges facing our industry.
During these past 12 months Rupert Murdoch has been only half the man in the UK he used to be. But that’s only by one measure – Ofcom’s “share of references”, which calculates which news sources are consumed across different media. It was a year ago, in September 2018, that the then 87-year-old’s long association with Sky came to an end.
In recent years, Channel 4’s new national HQ in Leeds and the BBC’s relocation of 2,300 posts to Salford have dominated our perception of out-of-London programme production.
This is perhaps not surprising: the corporation has the largest Ofcom quota for UK production outside the M25 – 50% – followed by Channel 4 and ITV, who both have 35%, and Channel 5, with 10%.
In March 2018, CBeebies pulled off a spectacular staging of The Tempest, a pacy version that preserved all the best “O brave new world” lines, while gripping its audience of under-sevens.