RTS student masterclasses

How her career began: "I’m from a very small town in Wales. No-one I knew ever worked in TV. I had no in. I just followed my dream and worked really hard to get my foot in the door.

"I’m not an extraordinary person. I am very lucky to work with some quite extraordinary people. It’s hard to get into telly and it’s getting harder.

"I am a massive comedy fan. I wanted to do something in comedy although I didn’t know what that would be. I read politics at Liverpool’s John Moores University where I joined the student radio station.

From comedy to docs, via reality TV: “With my writing partner from university, I was writing script-based comedy… we got close a few times to getting things away but it wasn’t quite working,” recalled Cary.

He landed a job as a runner at Endemol, working on BBC Three show Celebrity Scissorhands and then Big Brother: “I exploited every connection I had at Endemol and got a job at North One, which used to make a lot of Cutting Edge [documentaries] for Channel 4.”

“It all started in sixth form college,” recalled Daniel Fajemisin-Duncan. “We were already friends, having grown up in the same area, and we discovered we were very much into movies; not just watching them but actually wanting to make them – and, specifically, to write them.

“We would write scripts on notepads… and I would exchange my pages with Marlon and we discovered we were ripping off… the same film-makers and doing really bad versions of their movies.” 

Journalism

Clive Myrie

Journalist and presenter, BBC News

In an era of widespread concern about fake news, trusted and experienced correspondents such as the BBC’s award-winning Clive Myrie are more important than ever.

Mash has worked widely on US series House Hunters International and also shot an interview with Stephen Hawking for US talk show Last Week Tonight with John Oliver. Warrington, who usually works in natural history on programmes such as Channel 5 series Ben Fogle: New Lives in the World, recently shot CBBC drama Wolfblood Secrets, his first outing as a drama DoP.

Virgin Media Television’s director of programming said: “We’re constantly being told that linear TV is dead, but the facts actually present a different picture.”

In Ireland, Virgin Media is “bucking the trend and showing continual growth in audiences”, a result, he claimed, of a “notable step up in [the] scale, ambition and quality” of programming.

Is there a difference between editing TV drama and feature films? 

Pia Di Ciaula, film and TV editor specialising in drama: “On The Crown there is no difference because Stephen Daldry (the director) and I treat every episode like a feature film, but prior to that there was a big difference. 

“I moved to the UK (from North America) so I could edit independent films with the best directors and actors in the world.