Key staff members including Editor-in-Chief Adam Boulton and Director of Content Cristina Nicolotti Squires lift the lid on how Sky News covered the election through the night.
Education & Training
Aimed at early career engineers in broadcasting or its related industries, the award celebrates the new talent making its mark on the industry.
The RTS Young Technologist of the Year Award is open to those working for fewer than five years within the technical side of broadcasting or its related industries.
Judges will look for applicants who can already demonstrate their contribution to their sector and who have a good overview of the industry as a whole.
Working as an analyst, said Austin Healey, “Your job is to tell the truth. You’ve got to be honest if you’re on television – people will spot a lie when they’re at home watching.”
The RTS Futures Careers Fair is back with all the advice, help and information to kick start your career in television.
Don't miss this fantastic opportunity on Wednesday 30 January to take part in interview masterclasses, have your CV improved by professional employers and talk to the most influential creatives in the industry to help you get your first foot in the door in TV.
Mash has worked widely on US series House Hunters International and also shot an interview with Stephen Hawking for US talk show Last Week Tonight with John Oliver. Warrington, who usually works in natural history on programmes such as Channel 5 series Ben Fogle: New Lives in the World, recently shot CBBC drama Wolfblood Secrets, his first outing as a drama DoP.
Is there a difference between editing TV drama and feature films?
Pia Di Ciaula, film and TV editor specialising in drama: “On The Crown there is no difference because Stephen Daldry (the director) and I treat every episode like a feature film, but prior to that there was a big difference.
“I moved to the UK (from North America) so I could edit independent films with the best directors and actors in the world.
The secret of a successful TV format
“Simplicity is the key. When I was pitching, if I didn’t know what the idea was in two or three lines, I’d tell the producer to ask them to rethink it.
“As a commissioner I’d sometimes get a beautifully presented five-page document and get to the end of it and think ‘So what’s the show?’
“For me, the other big thing is purpose. As yourself "What’s the point?' Just because you can do it with TV cameras doesn’t mean it’s a TV show. You should be trying to answer a question.
Bax experienced the high life on BBC One documentary Supersized Earth, working on a ledge at the top of the Burj Khalifa, the world’s tallest building. Gettens added “explosions and bullets whizzing around people’s heads” to BBC One’s D-Day the Last Heroes.
Lambert Productions MD Emma Wakefield led the conversation at the RTS Craft Skills Masterclasses.