Clink is a brand new 10-part drama beginning Monday 15th April at 9pm on Channel 5's dedicated drama channel, 5Star.
The guidelines will allow productions to get up and running again, with the emphasis on the safety and well-being of employees.
The guide will be applicable to a broad range and scale of TV programmes of all genres and have been created with the collaboration of industry experts and the external expertise of Dr Paul Litchfield CBE.
Broadcasters have liaised with union representatives and the Health and Safety Executive and worked with First Option safety consultants to the media and entertainment industry.
They say that good things come in threes. When Channel 5 won Channel of the Year at March’s RTS Programme Awards, beating Sky Atlantic and BBC Three, the accolade followed identical wins at February’s Broadcast Awards and the 2018 Edinburgh TV Awards.
“It was thrilling to win Channel of the Year,” says the station’s director of programmes, Ben Frow, looking dapper in a dark T-shirt. “We’ve won each one once; we’ve finally got them all. I wouldn’t actually enter another channel of the year [competition].
The series stars Jill Halfpenny (Liar) as Jodie, a mother still recovering from the loss of her son who went missing eight years ago.
When she encounters Daniel (Cody Molko), she is convinced he is her son. But her fixation threatens to collapse the life she’s painstakingly rebuilt, as it leads her down a dangerous and morally dubious path.
In Jodie’s way stands Daniel’s impassive and protective father, Mark (Rupert-Penry-Jones).
A Question of Sport at 50
BBC One, 8.30pm
This one-off documentary explores how A Question of Sport has evolved over the past 50 years into a primetime TV hit.
A Question of Sport at 50 looks back through the 1200 plus episodes of the longest-running sports quiz show in the world to celebrate its 50th year on television.
With programme budgets under pressure, TV is turning to advertisers to fund shows directly. And the amounts that brands can bring to the table are significant – anything up to half a million pounds for an hour of TV.
This was the message from a packed RTS early-evening event in October, at which a panel of leading commissioners, producers and advertising experts discussed how they make branded programming.
Davis received a Bafta nomination this year for her work on the BBC Four documentary Amy Winehouse: Back to Black. Bacon specialises in formatted and entertainment series such as Channel 5 reality show The Bachelor and the BBC’s Masterchef.
The new streaming service offers content from ITV, the BBC, Channel 4 and Channel 5.
BritBox, created by ITV and the BBC, marks the UK’s entry into the paid streaming market alongside international giants such as Netflix and Amazon.
Priced at £5.99 per month, BritBox will offer the biggest collection of British boxsets such as Broadchurch, Doctor Who, Gavin and Stacey, Wolf Hall and Downton Abbey.
The highlights from our panel discussion on how the entertainment values of editorial TV content, talent and other editorial assets are being used to create more advertising and funding opportunities across the UK TV industry.
The panel included Channel 5's Commissioning Editor for Factual Entertainment, Greg Barnett, Joint Managing Director at Rumpus Media, Emily Hudd, Wavemaker's Head of Integrated Delivery, Saj Nazir and Channel 4's Controller of Funded Content, Simon Wells.
At a jam-packed RTS early evening event in late October, a panel of leading commissioners, producers and advertising experts explained how to make branded programming – and identified some of the pitfalls.
Greg Barnett, long-serving commissioning editor for factual entertainment at Channel 5, argued that the way programmes are being made is changing.