Masterclasses

Davis received a Bafta nomination this year for her work on the BBC Four documentary Amy Winehouse: Back to Black. Bacon specialises in formatted and entertainment series such as Channel 5 reality show The Bachelor and the BBC’s Masterchef.

How to get into editing: Emma Lysaght: “I left school at 16. My father was a film editor so I grew up watching my dad cut film. It was something I’d always wanted to do.

“It was quite a male environment, I was very nervous and very shy. I didn’t get into the cutting room until I was 19. My dad knew of one female editor.

“She needed an assistant so I stepped in and became her assistant. Within the first few months I was cutting news for Channel 4, which was very pressurised but you know exactly what you’ve got to do in those three minutes.

Why he wanted to be a journalist: I was born in Somalia where my father was part of the independence movement and a businessman who spent a lot of time in the UK. He moved us to the UK where I was educated.

Around our kitchen table we’d discuss what was happening in the world. That was where I first became interested in international news and the day’s big issues such as apartheid and Nelson Mandela and revolutions in the Middle East.

How her career began: "I’m from a very small town in Wales. No-one I knew ever worked in TV. I had no in. I just followed my dream and worked really hard to get my foot in the door.

"I’m not an extraordinary person. I am very lucky to work with some quite extraordinary people. It’s hard to get into telly and it’s getting harder.

"I am a massive comedy fan. I wanted to do something in comedy although I didn’t know what that would be. I read politics at Liverpool’s John Moores University where I joined the student radio station.

From comedy to docs, via reality TV: “With my writing partner from university, I was writing script-based comedy… we got close a few times to getting things away but it wasn’t quite working,” recalled Cary.

He landed a job as a runner at Endemol, working on BBC Three show Celebrity Scissorhands and then Big Brother: “I exploited every connection I had at Endemol and got a job at North One, which used to make a lot of Cutting Edge [documentaries] for Channel 4.”

“It all started in sixth form college,” recalled Daniel Fajemisin-Duncan. “We were already friends, having grown up in the same area, and we discovered we were very much into movies; not just watching them but actually wanting to make them – and, specifically, to write them.

“We would write scripts on notepads… and I would exchange my pages with Marlon and we discovered we were ripping off… the same film-makers and doing really bad versions of their movies.”