The drama, set in a fictional town in Cheshire, begins with the brutal murder of a female GP in a busy children’s playground.
Detectives working to solve the case are quickly drawn into the twists and turns of a dark mystery, which takes them unexpectedly across Europe.
The trailer hints at a psychopathic suspect, multiple murders and mind games, as well as a complicated love story and family tensions.
Set in the 1990s, Babs sees Windsor preparing to perform in the theatre that evening, where she talks us on a journey of the events and people that shaped her career, from her lonely childhood and complicated relationship with her father, to capturing the attention of Joan Littlewood and being cast in the Carry On films.
The recent controversy over poor-quality sound on the hit BBC One show Happy Valley has once again focused senior TV executives’ minds on the problem of inaudible dialogue in drama.
Last month, BBC Controller of TV Channels Charlotte Moore pledged to tackle the “big issue” of sound. She added that it was “incredibly hard to get to the bottom of where things go wrong”. She explained she had introduced a new set of best-practice guidelines to help avoid future problems with inadequate audio.
The pair will be joined by new cast members Sarah Parish (Atlantis), Charlie Higson (The Fast Show) Georgina Campbell (Murdered By My Boyfriend), Julie Hesmondhalgh (Coronation Street) and Mark Bazeley (Home Fires).
Jodie Whittaker and Andrew Buchan will also return as Beth and Mark Latimer alongside Arthur Darvill as vicar Paul Coates, Carolyn Pickles as newspaper editor Maggie Radcliffe and Adam Wilson as Ellie’s son Tom.
So before the sun miraculously parts the clouds, the daffodils thrust their heads through the earth and the rain stops, there is just time to catch up on all top TV that you may have missed.
Back for its final series, the university sitcom back with as many laugh-out-loud hilarious and toe-curlingly awkward moments as you could have dreamed.
Co-writer of Sky 1's You, Me and the Apocalypse Mickey Down explains how to write for drama.
Last year he was on a panel discussion at the RTS Futures Christmas Party which focused on diversity in the television industry.
Here he reveals that avoiding cliché is key when writing for the genre.
British TV institution Coronation Street celebrated its 55th birthday in December. After some 8,800 episodes, you might expect the old girl to be a bit doddery on her pins, but the ITV soap is in rude health.
Over the past couple of years, Corrie has fed its viewers a rich diet of murder, death and suicide.
Students were given the opportunity to listen industry experts about their craft.
From cameraman Steve Robinson describing how to portray personal moments on camera to editor of BBC One's The Missing explaining how a show comes together in the cutting room, the two-day masterclasses provided advice and insight into the television industry.
You could be forgiven for thinking that the award- winning screenwriter and producer, Jeff Pope, approaches his work by trying to find the most gruesome story possible.
This is the man who has made TV dramas based on the dark deeds of serial killer, Fred West, Moors murderers Ian Brady and Myra Hindley, and Britain’s most prolific hangman, Albert Pierrepoint.
