You could be forgiven for thinking that Jeff Pope was obsessed by the macabre. Why else would he be drawn to such odious topics as the Moors murders, serial killer Fred West or Britain’s last hangman, Albert Pierrepoint?
He puts it like this: “If drama is about conflict, which it is, you’re looking for the extremes of conflict. Those areas are love, fate and, I would argue, crime.
“I am not a depressive person or ghoulish but it’s the old journalist in me: there’s a good story in it.”