Channel 4’s Liverpool-set drama The Gathering, made by World Productions, was a big winner on the night, taking home three awards: Best Drama; Best Scriptwriter for novelist Helen Walsh on her TV writing debut; and Best Performance in a Drama for Eva Morgan in her first professional role.

BBC One’s campaigning magazine show Morning Live also scored a hat-trick of awards: Best Factual Series, Best Inclusive Practice (for programmes with deaf, disabled and/or neurodivergent contribution) and Best Presenter for Gethin Jones.

Ferne McCann

TV personality

In the sleepy northern town of Chadder Vale, Katie Wells goes missing. Then, she comes back. Most of the villagers are content all’s well that ends well, except one.

Police officer Riya Ajunwa is relatively new in town, having been here for five years after a decade-long stint in the Met. Bored of investigating bins, she smells something fishy in Wells’s disappearance. As a series of devastating and unnatural crimes begin to be committed, her suspicions are confirmed. However, several questions remain unanswered.

If the actor is sleep deprived, it doesn’t show. The topic quickly turns to Doctor Who, she’s ready for it.

Gibson is joining Ncuti Gatwa (Sex Education) in the TARDIS as companion Ruby Sunday. The Christmas special – quietly revealed by Disney+ to be titled ‘The Church on Ruby Road’ – will be her debut. Has a year of filming that and the new series been enough to take the pressure off joining a programme as big as Doctor Who?

What does the job involve?

Working with the brilliant producers and writers we have in this country, we look for dramas that we think people will watch and love on ITV – and then we facilitate the producers to make them. We’re out there telling people what we think might work for ITV, and the producers also come to us with great ideas.

We want ideas that will surprise and challenge us, so we’re not simply doing the same thing over and over again.

What was your route into TV?

The lack of training grounds for talented new TV writers and directors has been branded “intolerable” by David Liddiment, one of the most influential commissioners and broadcasters of the past 40 years with a career that has spanned both ITV and the BBC.

Delivering the Anthony H Wilson Memorial Lecture to the RTS North West, he recalled his own career development and that of luminaries such as Sally Wainwright, the creator of Happy Valley, who began her career as a ­Coronation Street writer.

‘I look at them both standing under the lamp. Ingrid… and this plain Jane, with a muddy complexion, a big nose, and a mouth like a crack in a pie.’*

‘… but there’s a lovely view of the gasworks, we share a bathroom with the community, and this wallpaper’s contemporary. What more do you want?’**

Anyone thinking these lines were spoken by one of the sharp-tongued, backstreet battleaxes from an early episode of Coronation Street wouldn’t be far wrong. Here’s why.

The final quarter of 2022 is likely to go down as one of the most significant periods in the long and remarkable TV career of Kevin Lygo, ITV’s Managing Director of media and entertainment.

For starters, there’s been one of the most successful ever series of the entertainment flagship I’m a Celebrity… Get Me Out of Here!, not forgetting ITV1’s high-profile coverage of the Qatar World Cup, with plaudits for the irascible studio pundit Roy Keane and, crucially, the overdue launch of the broadcaster’s shiny and heavily marketed new streaming service, ITVX.