Sky News’ Political Correspondent has been on the road in the #LewisLorry travelling to towns and cities up and down the country, talking to voters on the ground.
He took a break from the road to speak to us about his sense of election from outside the London bubble.
However it ends, the battle royal for the right to own most of the assets of 21st Century Fox, and all of Sky, reflects deep and significant trends in global media. The resolution (in favour of suitors Disney, Comcast or both) may end up being less important than what the outcome tells us about market dynamics.
This battle is about the response of legacy media to accelerating shifts in consumer behaviour and to the threats posed by the big digital disruptors. In a market where content and distribution are increasingly intermingled and global, size unlocks the prize.
Speculation that BBC Two’s Newsnight might be axed was firmly squashed in February, when Sky News head of politics, business and specialist journalism, Esme Wren, was appointed editor of the flagship show.
Doubts about its future had re-emerged last autumn with the introduction of Nick Ferrari and Emma Barnett’s ITV series, After the News, and the announcement that Newsnight editor Ian Katz was leaving for Channel 4 to become its director of programmes.
Helen-Ann successfully pitched the idea of the campaign to Sky's CEO after witnessing the shocking plastic waste on a beach in Bermuda while working as a producer at Sky News.
Breaking News is the proving ground of a newsroom. In a breaking news scenario, all the machinery of the newsroom clicks together to tackle what is happening now, and deliver the events of the day to the audience as they arrive.
“Breaking news is our bread and butter,” explains Dylan Dronfield, Senior News Editor at Sky News. “That’s what Sky News was originally billed as doing.”
The new partnership will support young people (aged 16-17) who are from disadvantaged backgrounds and are interested in a career in journalism, by running an e-mentoring scheme.
The e-mentoring scheme will enable the youngsters to match with industry professionals and allow for a greater scope to find mentee's best suited to them.
Fewer people from poorer backgrounds are entering the industry and it is hoped this partnership will open the door to the next generation of journalists, regardless of their background.
Rigby had a front row seat to the Conservative campaign, as Theresa May’s approval ratings drooped in the aftermath of the controversial social care policy outlined in the Tory manifesto.
On election night in October 1974, the BBC’s anchorman, Alastair Burnet, announced a “welcome new addition” to the presenting team, Sue Lawley.
At least part of the reason for her welcome was that she was the first woman to play an on-screen role in a British election results studio.
Things have moved on, if not at breakneck speed. Emily Maitlis was again booked to be on the BBC’s set on 8 June. And, for the first time, a woman, Mishal Husain, was to play the Robin Day/Jeremy Paxman inquisitor role.
On ITV, Julie Etchingham was due to anchor – but only on day two.
After weeks behind the scenes at Sky News, picking the brains of the team who had just seven weeks to put together an election night show "bigger and better" than any before (so said Sky News boss John Ryley), the RTS spent the night at Sky News HQ to give you the inside track of what is going on off-camera at the broadcaster's biggest show of the year.
The weeks of meticulous planning and preparation are over. Tonight Sky is live in around 350 locations across the country to cover the General Election 2017.
Graphics is "one of the most fun jobs you could possibly imagine" during election season, Sky News' Head of Design Chyaz Buffett told us, as he and Graphics Editor Charlotte Bingham prepare for one of the biggest nights in news broadcasting.
But just how important is graphics for Sky News' election coverage?
The graphics team talk about their big plans for election night and how their work fits into the news broadcast.
