VoD

Session chair Amol Rajan: Did you interpret the new culture secretary saying that she is re-examining the business case for privatisation as implying that she and Prime Minister Liz Truss are not as committed to privatisation as their predecessors? 

Alex Mahon: We’re in discussion with the DCMS about where they want to end up and what the options are. I imagine they’ll look at the things that I like: facts, data and evidence. Then we’ll see what the coming weeks and months hold as they think about that. 

Created by Justin Roiland and Dan Harmon, the sci-fi cartoon follows scientist and intergalactic felon, Rick Sanchez (Justin Roiland), who drags his grandson, Morty Smith (Roiland), on a series of insane adventures across the galaxy.

Fans of the show predict the new series will see Sanchez and Smith at odds with Smith’s tyrannical counterpart, Evil Morty (Roiland), alongside a deadly reunion between Sanchez and his lifetime friend turned enemy, Phoenixperson (Harmon).

Will the future of streaming be defined by SVoD (subscription video-­on-demand) or free, advertising-funded video-on-demand – or can they both prosper? Those were the big questions ad­dres­sed by BritBox launch director Reemah Sakaan and Viacom International Media Networks chief David Lynn.

Speaking on the day that the “best of British” SVoD announced a deal with Channel 5, Sakaan was asked by session chair Wayne Garvie how she was going to “persuade my mum and dad to spend £5.99 a month on BritBox”?

Dynamic TV will allow advertisers to deliver personalised adverts to viewers across a number of devices, including desktop and mobile VoD platforms, smart TVs, gaming consoles and the small screen.

Suzuki and Boots will be the first advertisers to use the solution, allowing the companies to collate first-party data from Channel 4 and personalise advertisements based on demographics, data, time of day, location and weather.

The classic sitcom no longer rules the TV schedules in the way that shows such as Fawlty Towers, Open All Hours and Porridge did in the 1970s. Or does it?

A panel of TV practitioners attempted to tease out the answer last month at an RTS early-­evening event, “No laughing matter: how does comedy fight back?” This stimulating debate made one think that we could be living through another golden age of TV comedy without necessarily knowing it.

"Ensure you are wearing comfortable shoes" read the last line of the email sent to me from the RTS regarding what I’d need for my first ever IBC experience. With that - I slipped on my new smart shoes I’d bought from Topman the day before to try and ‘look the part’ before setting sail for Heathrow’s Terminal Five. It was just a few short hours later that the service 4 tram pulled in to Station RAI and I got my first look at the venue. “Ah,” I thought to myself as that last line re-read itself in my mind, “really wish I’d had a chance to bed these in”.

Apparently, I've not contributed a diary since 2010. Perhaps I only get invited in election years. In May 2010, I was also asked to review the different channels' election coverage by The Guardian.

On that occasion, I called it decisively for Sky News. ITN was fine but less dramatic. And the BBC, with its ship-of-fools party and an over-academic Vernon Bogdanor and a swingometer that couldn't cope with a three-way race and, and, and...