She has been making waves on the comedy circuit taking her exaggerated characterisation and relatable comedic humour to the Soho Theatre in her show Lolly 2.
The comedian, who specialises in character comedy, has made a number of appearances as a comedy actor in shows including Rovers, Plebs and Sicknote.
Her latest TV project sees her alongside fellow comedians Greg Davies and Alex Horne on Dave's comedy panel show Taskmaster.
BBC News’ Mobile and Online teams will create twelve new positions across a wide range of content for people with disabilities, including broadcast journalists and assistant editors.
The scheme will include bespoke training and a mentoring programme, and at least half of the roles will become permanent at the end of the year.
Information about how to apply will be available shortly on the BBC Careers website.
The magician's career has gone from strength to strength; having started out uploading videos of his street magic to YouTube, he has taken his performance to the small screen with four series of his show Dynamo: Magician Impossible, as well as a UK live tour Seeing is Believing.
It was while working the door at members club Shoreditch House, that Jackson, got the chance to tackle the telly industry.
“I got asked to go to an MTV audition through the friend of a friend” she recalls. “I didn’t get the job.”
However from that moment she was hooked. She managed to get herself a meeting with an agent, who offered her another audition for an online series. She went, she got the role and she was in!
Since graduating from the University of Manchester in 1996, Ramage has had a dazzling career in television working primarily in the Midlands and the north of England. He has gone from a keen amateur photographer to Director of Photography on one of the UK’s most loved programmes, ITV’s Emmerdale.
“I got some work experience at Hollyoaks” he recalls, and has not looked back. “Work experience is a fantastically good opportunity for people to get a taste of the industry and hone in on what they want to do.”
Benjamin’s career began while still at university where he launched a travel website, Informed Explorer and began producing video content. He is now the editor of BBC Pop Up, a mobile bureau which travels the world making current affairs documentaries, as well as a programme maker for Panorama, the BBC’s long running investigative series.
Born in Liverpool and without any connections in journalism or the BBC, Zand has forced his way up through hard work and talent, and along the way he has picked up a lot of handy advice.
After beginning her career as a shorthand typist, a chance encounter led Willcox to make the leap into sound, an interest of hers since the age of 13.
Now, after over 30 years working on programmes such as Springwatch, the British Grand Prix, and Children in Need, Willcox is an authority in her field.
“My job involves any graphics for online, [as well as] design, any development, [and] any apps we choose to try and do. Pretty much everything,” he says.
Like many people in television, what started out as a hobby turned into a full-time career. The good thing about interactive design, unlike print, is that you “can make as many mistakes as you want and it doesn’t cost you. It’s entirely trial and error.”
Since graduating with a degree in Theatre Design from Nottingham Trent university, Tuxford has gone on to work for shows including Last Tango in Halifax, Life on Mars and Channel 4 comedy Cardinal Burns.
The job of a production designer, she says, is far-reaching. From finding locations for the shoot, deciding on the visual tone of the piece, and managing the design budget, “you have your eyes all over it.”
“Ultimately you are responsible for every design decision and every visual decision, so the buck stops with you.”
For scripted projects such as dramas and comedies, an editor will have a script to work to, choosing the best combination of shots to tell the story.
“The script is like a blueprint,” explains The Crown editor Una Ni Dhonghaile,
A documentary is a rather different beast. “You may be faced with 400 hours of footage shot across many years in a sprawling way. The people making the film don't know what's going to happen next,” says editor Ben Stark whose credits include Dispatches, Baby P: The Untold Story and 9/11: The Falling Man.
