YouTuber Yianni Charalambous takes on telly
Earlier this year, we spoke to Yianni about about wrapping cars, his Hollywood cameo and how to avoid disaster as a YouTuber.
Earlier this year, we spoke to Yianni about about wrapping cars, his Hollywood cameo and how to avoid disaster as a YouTuber.
The show, originally aired on AMC in America and is, in part, based on the true story of two ships, HMS Terror and HMS Erebus, which became trapped in the icy Northwest passage whilst mapping the Arctic coastline in the 19th Century. The series also draws inspiration from Dan Simmons' 2007 best-selling novel of the same name. It combines the real-life drama of being stuck in treacherous conditions with a sinister supernatural element.
“Don’t take this as me being rude, but as a Brit who’s proud of and grown up with our amazing content,” he urged broadcasters to experiment “with different platforms and technologies – I really believe there’s an enormous opportunity for original British content.
“We need some positive opportunities for export right now and the [online] audience is there, it’s growing and it’s going to double in the next five years.”
YouTube Red has commissioned its debut drama, which will be a sci-fi series from Left Bank Pictures who produced The Crown for Netflix.
They have agreed a deal for Origin, a 10 part sci-fi thriller, created and written by Mika Watkins who has previously written for Sky 1's Stan Lee’s Lucky Man.
At a recent RTS Futures event, the topic of what YouTube meant for the future of television was discussed.
You can now watch many of the nominated and winning films below, or on our YouTube channel.
BT has revealed plans to broadcast the UEFA Champions League and UEFA Europa League finals for free on YouTube, the BT website, BT Sport channels and the BT app for 2017.
The UEFA Champions League final will be broadcast for the first time in 4K UHD with Dolby Atmos on BT Sport and 4K UHD on YouTube, with multiple 360 degree streams on Youtube and the new BT Sport VR App, which allows viewers to choose their own camera viewpoint as well as commentary and graphics.
At an RTS event about social media and television, Facebook’s Patrick Walker addressed the charge that his company had done little to stop these stories spreading.
‘We are a platform – we see ourselves first and foremost as a technology company. The mission we have is to connect people and make the world more connected, which is about sharing information,’ he said.
News of television’s death is premature, heard a relieved RTS audience, who were assured that the US tech giants – Facebook, YouTube and Twitter – were TV’s partners, not predators.
“Television is amazingly resilient – the great thing about it, is that it’s very adaptable. It’s always been good at seizing the opportunities that new technology brings,” said YouTube’s Stephen Nuttall at the RTS early-evening event in November, “Social media muscles in on TV”.
Networks such as Facebook, Twitter and YouTube are now an integral part of the UK’s video landscape. What are the implications of their growth, not just for viewers, but for content creators, traditional broadcasters and advertisers?
An expert panel, chaired by Kate Bulkley, discussed the subject at our 'Social Media Muscles in on TV' event. The panel included Dara Nasr, Managing Director, Twitter, UK; Stephen Nuttall, Senior Director, EMEA, YouTube and Patrick Walker, Director of Media Partnerships, EMEA, Facebook.