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Fake News: The Broadcasters’ Dilemma | RTS Cambridge Convention 2021

An expert panel, routinely faced with decisions about how to cover fake news, considers the pitfalls, the ethics and the psychology behind one of the most insidious disrupters in the modern world.

Chair

Naga Munchetty, Journalist and Presenter, BBC Breakfast

Speakers

Sander van der Linden, Professor of Social Psychology in Society and Director of the Cambridge Social Decision Making Lab, University of Cambridge

Matthew Price, Editor, Data and Forensics Unit, Sky News

Clive Myrie on his love for US politics, the impact of Covid and breaking into the industry

“From a young age, seeing Sir Trevor McDonald on the TV who looked like me and spoke a bit like me, I thought, ‘if he can do it and he’s black, maybe I could do it too,’” he explains.

Myrie’s heart was set on a career in journalism but that he had to have a “good degree” to fall back on for his parents.

“My parents are first generation immigrants from Jamaica, they didn’t travel 6,000 miles for me to be a bum,” he laughs. 

After completing a law degree, Myrie chose to pursue his childhood dream and earned a coveted place on the BBC journalism training course. 

Clive Myrie announced as new host of Mastermind

(credit: BBC)

A double winner at this year’s RTS Television Journalism Awards, Myrie works as a news journalist and has been a regular presenter of the BBC News at Six and Ten since 2010. Prior to this, Myrie worked as a BBC correspondent across the globe, reporting from Asia, Africa, Washington and Brussels.

Myrie will be taking over from fellow BBC journalist John Humphrys, whose last episode will air in April.

Victoria Derbyshire on covering the pandemic, serving the underserved and becoming an agony aunt

“For me, it’s a real issue,” she explains, “because I spend so much time with guests before I interview them making them feel comfortable, going through their story, just letting them know I’ll be there to look after them.”

Such compassion comes as no surprise from a broadcaster who has long used her platform to both sensitively question victims of injustice and forensically interrogate those responsible.

Nominations for the RTS Television Journalism Awards 2021 announced

After an unparalleled and challenging year, the BBC leads the way with 23 nominations across the 19 categories including ‘News Channel of the Year’, and ‘Breaking News’ for the coverage of Boris Johnson being rushed to hospital with Covid-19. ITV and Sky News follow garnering 10 nominations each, both including ‘Scoop of the Year’ and ‘Television Journalist of the Year’, for which the nominees are Alex Crawford for Sky News, Clive Myrie for BBC News, and Robert Moore for ITV News.

BBC News' Fran Unsworth: No compromise on impartiality

Fran Unsworth (Credit: BBC)

Fran Unsworth used her recent conversation with the RTS to support incoming Director-General Tim Davie’s statement of 5 June, when he stressed the need for impartiality across the organisation, regardless of whatever battles between the BBC and government might be going on behind the scenes. “The more valuable we are to audiences, the greater our standing is going to be with the Government,” the BBC’s director of news and current affairs said firmly.

Fran Unsworth discusses the BBC's impartiality during the current climate

Another week, another huge challenge for BBC News, as it strives to navigate a path between its commitment to impartiality, the clear moral cause behind the movement, and covering the protests in all their complexity.

"Our reporting of the protests at the weekend made it quite clear that the day in London ended in some violence. What weight do you give that? It’s down to editorial judgement on the day," explained Fran Unsworth, in conversation with Stewart Purvis for the RTS.

Making professional productions on the go

Deirdre Mulcahy at the University of Westminster (Credit: RTS London/Phil Barnes)

The freelance producer and trainer gave a demonstration of the smartphone’s filming capability at an RTS London event in early November.

“No matter how big the tool, it comes down to the person who is actually using [it],” said Mulcahy. “Storytelling is about where the focus is – and understanding how you shoot.”