BBC

BBC unveils cross-platform Wimbledon coverage

She will be taking to the air on BBC One and BBC Two throughout the Championships, and bringing viewers the latest Wimbledon action.

Joining the BBC’s presenting team are former World No. 1 players Lleyton Hewitt and Jim Courier and former British No. 1 Annabel Croft.

They will be joining an extensive team of expert analysts and commentators including Tim Henman, Tracy Austin, Andrew Castle, John Inverdale and Martina Navratilova.

Coverage begins at 11.30am on Monday 27 June on BBC Two.

 

Peter Kay's Car Share returns to BBC iPlayer

Car share, Peter Kay, Sian Gibson

The popular comedy is written by and stars Sian Gibson and Peter Kay as supermarket employees John and Kayleigh who found themselves thrown together as part of the company car share scheme.

Originally launching on BBC iPlayer in 2015, the series was a huge success, becoming the most watched new sitcom since 2011. It also won Best Scripted Comedy at the BAFTA Television Awards, while Peter Kay took home an award for Best Male Performance in a Comedy.

BBC commissions Barbara Windsor biopic

Eastenders star Barbara Windsor (Credit: BBC/Nicky Johnston)

Set in the 1990s, Babs sees Windsor preparing to perform in the theatre that evening, where she talks us on a journey of the events and people that shaped her career, from her lonely childhood and complicated relationship with her father, to capturing the attention of Joan Littlewood and being cast in the Carry On films.

BBC announces start date for French drama Versailles

The long-awaited series will begin on BBC Two on 1 June 2016 at 9.30pm.

The series follows the machinations of Louis XIV, the Sun King, who moves his court away from Paris to the luxurious palace of Versailles.

At first the courtiers are delighted at their secluded paradise, but they quickly come to see the Palace for what it is: a gilded prison.

The series comes from Simon Mirren (Waking the Dead) and David Wollencroft (Spooks) and stars George Blagden as Louis XIV and Alexander Vlahos as Philippe, Duke of Orleans. 

Marcus Ryder: What the BBC White Paper means for diversity

Marcus Ryder

Thursday was an important day for diversity in the media as the government announced a White Paper which enshrined diversity in the BBC charter– but what it really means in reality will all be in the small print.

The Royal Television Society is a charitable organization whose remit is to encourage and celebrate the understanding of television and its related fields. As Chair of the Diversity Committee here is my guide as to what people should be looking out for in the coming months:

 

BBC orders slate of new documentaries

London ambulance (credit: Flickr/eastleighbusman via Creative Commons)

Speaking about the films, to be shows on BBC One, Two, Three and Four, Patrick Holland, BBC Head of Commissioning, Documentaries, said: “We are delighted to announce such a diverse and distinctive range of films from such a terrific group of programme-makers. The variety of stories and filmmaking approaches shows the ambition we have at BBC Documentaries. What unites these projects is the desire to find the very best ways to tell the most important and engaging stories."

Unpacking the BBC White Paper

The BBC holds a Royal Charter which sets out its rules and its roles; however the current Royal Charter expires at the end of the year and hence needs to be renewed.

The government launched a public consultation into the role that the BBC should play going forward following the publication of a Green Paper.

The Culture Secretary John Whittingdale who is in charge of overseeing charter renewal has now unveiled the content of the BBC White Paper.

Huw Wheldon: TV giant

‘The three duties of the broadcaster are to the subject, to the audience and to the craft.” Huw Wheldon’s achievements and words live on, 30 years after his death. I doubt that there is a BBC Director-General since his day who hasn’t used the great Wheldon incantation about public service broadcasting and its duty “to make the popular good and make the good popular”.

Wheldon himself was never DG – his most senior job was as Managing Director of BBC Television – but the people who did get the top job have seldom achieved his creative impact or his quotability.

Face to face with casting director Andy Pryor

Andy Pryor, Casting, Doctor Who

At its most basic casting involves finding actors to play roles in TV and film, however there is far more to it as it is one of the few television roles that seems to bridge the creative and the technical sides of television.

“It’s very much a taste-based role” Andy says. “What people don't see is the enormous amount of work that you put into casting a show – in terms of researching and trying to pull the whole thing together, getting the right people seen, managing expectations and then negotiating the artists contracts.”