Advertising

Is AVoD the new SVoD?

With AVOD growing rapidly as a key, non-subscription revenue model, how are broadcasters taking advantage?

How are AVOD (ad-supported video on demand) and FAST (Free advertiser supported TV) developing as an alternative to SVoD and broadcast TV? How is broadcaster VoD developing in the mix and what are advertisers looking for- more targeted and personalised ads? What are the demographics of IP-delivered TV?

Is streaming TV additive or substitutional to linear broadcast TV? Is leaning into AVoD and FAST the answer to the decline of linear TV advertising?

Television adverts bounce back

Love Island (credit: ITV)

The obituary of TV advertising has been written many times since the 2008 financial crisis and, each time, it has confounded the doomsayers. The television ad market suffered its steepest downturn on record between April and June 2020. There were declines of close to 50% during the worst of the pandemic, yet it has bounced back.

ITV has told investors it expects its ad revenues to be up as much as 90% in June – thanks in part to the Euros, rescheduled from 2020, and the return of Love Island.

Television Advertising - Then and Now | RTS Thames Valley

RTS Thames Valley Creative Technology event gathers leading experts to discuss the evolution of the television advertising landscape.

The panel includes David Joel - Head of Commercial, Clearcast, Justin Gupta - Head of Broadcast and Entertainment, Google (UK & Ireland), Nikita Panchal - Marketing Director, Bubble Agency, Dr Phillip McLauchlan - Chief Scientist, Mirriad, and Peter Kemp - Media Strategist.

Brands and broadcasters must seize the time to improve diversity

(credit: Channel 4)

Covid-19 has claimed the lives of more than 40,000 people in the UK to date, and almost shut down the TV airtime advertising industry. Across April and May revenues dropped by more than 50%.

Most citizens were locked down in their homes with their children homeschooled – or not – for close to four months. The world seemed to have gone mad. Worldwide, the message was to wash your hands, wear a face mask, socially distance and pretty much hope for the best.

David Abraham: The mould breaker

David Abraham (Credit: Wonderhood Studios)

In one way, the career of David Abraham has come full circle. He began his working life in advertising – and, in his latest role, ­running his own company, Wonderhood Studios, he is once again involved in producing TV commercials, as well as making TV programmes. With his trademark heavy-rimmed glasses and carefully judged wardrobe, Abraham still looks like he might have stepped out of the pages of ad bible Campaign at its 1980s’ peak.

The battle between data analytics and creativity in advertising

Linda Yaccarino (Credit: RTS/ Richard Kendal)

“That scale allows marketers to reach more people and grow their businesses.

“The need for scale is why we’ve seen so much consolidation across the media industry, including Sky joining Comcast NBCUniversal – and today you can’t achieve new scale without going global.…

“At Comcast NBCUniversal… we put… people at the centre of our strategy; we build scale… towards a shared vision. [This] means doing every part of your business the right way.

Finecast targets a revolution in TV ads

London’s Red Lion Square is a place often associated with political revolution. But a few steps away from Conway Hall, home of meetings for radicals and disruptors since the 1920s, is the gleaming modernist UK HQ of global advertising giant GroupM. There, a very different kind of revolution is being conceived.

In September, GroupM officially launched Finecast, an addressable TV service that offers British broadcasters and other UK-based content platforms the ability to provide targeted advertising via a single access point and using a common data currency.

Peter Bazalgette's TV diary

Peter Bazalgette at the RTS's 90th birthday party (Credit: Paul Hampartsoumian)

Up early to listen to radio news in the shower before I turn on for my daily dose of Good Morning Britain. Pay debates rumble on in the media kasbah.

The day after Carrie Gracie resigned as the BBC’s China editor, here she is presenting Radio 4’s Today, but barred from curating the news story about herself. A magnificent confusion worthy of Evelyn Waugh or David Lodge at their best.

The item itself is less than helpful, since the programme’s guest doesn’t seem to know the difference between equal pay and the gender pay gap.