Written and created by Maya Sondhi, the four-part drama is set in Birmingham and focuses on Leicester born Detective Inspector Rachita Ray.
When DI Ray takes on a tricky case, she is forced to confront a lifelong battle between her British identity and South Asian heritage.
Ray earns a long waited for promotion when she is asked to join a homicide investigation.
Matt Berry once again plays no nonsense hard-hitting boozer detective Rabbit, joined by his hopeless partner Strauss (Freddie Fox) and the country’s first ever female police officer, the tenacious Mabel (Susan Wokoma).
The unlikely trio come together to help fight crime in London’s East End, with the end of series one seeing them face their biggest foe Lydia (Keeley Hawes).
After initially fooling everyone, by feigning feelings for Strauss and getting Mabel to join her secret female society, Lydia’s plot to take down London was stopped by Rabbit and the gang.
Brassic, co-created by Joe Gilgun (Preacher) and Danny Brocklehurst (Shameless), follows a group of working-class friends as they try to navigate life in a Northern suburbia as their teenage years of scamming and bribing finally start to catch up with them.
Vinnie (Joe Gilgun) is a Lancashire lad who suffers with bipolar disorder and is best friends with street smart Dylan (Damien Molony).
Starstruck follows Rose (Matafeo), a twenty-something millennial living in London struggling to juggle two dead-end jobs to make ends meet.
An awkward morning-after-the-night-before is made even worse when she discovers she has accidentally slept with a film star, setting in motion a series of complications she could never have imagined.
Matafeo is a comedian and actress who won the Best Comedy Show at the Edinburgh Comedy Awards 2018 for her solo show, Horndog.
The two-part thriller follows Mark Easterbrook (Rufus Sewell) as he investigates a mysterious list of names discovered in a dead woman’s shoe.
Easterbrook’s search for answers leads him to the unusual village of Much Deeping and The Pale Horse, the home to a group of suspected witches.
Rumours have circulated the town that the witches are responsible for the disappearances of wealthy relatives using dark magic yet Easterbrook remains adamant that there are rational explanations to solve these mysteries.
The story – first published in 1961 – will be adapted for TV by the writer Sarah Phelps, who has previously adapted Christie’s novels, And Then There Were None and The Witness For The Prosecution.
“The Pale Horse is a shivery, paranoid story about superstition, love gone wrong, guilt and grief. It’s about what we’re capable of when we’re desperate and what we believe when all the lights go out and we’re alone in the dark," says Sarah Phelps, who also serves as an executive producer.
