As TV and new technology evolve together there are more jobs than ever before available to tech savvy specialists in the broadcast industry, yet women only make up 12.8% of the total STEM workforce in the UK. What can the industry do to break down barriers and encourage more women to take up STEM related roles in the TV industry?
At an RTS early evening event in late April, chaired by TV science specialist Maggie Philbin, a top-notch panel offered some solutions to a problem that affects not just telly, but the UK economy as a whole.
Women are grossly under-represented in science, technology, engineering and mathematics (STEM) – only 12.8% of the UK’s STEM workforce is female. This situation seems unlikely to change quickly given that just 15% of engineering and technology higher education students are female.
The Award recognises excellence in broadcast technology and is intended to advance education in the science, practice, technology and art of television and its allied fields. As part of the award, Gray receives an all-expenses paid trip to the International Broadcasting Convention (IBC) in Amsterdam.
Gray was chosen to receive the award from among some of the best young engineers and technologists working in the UK today by a panel of experts, chaired by Digital Media Consultant Terry Marsh.
The first “4k” TV sets simply increased the resolution. A survey with over 2000 respondents will be reported which shows how the UK population might benefit from increased resolution.
This was the key message from the London Centre’s review of this September’s IBC, which was held jointly with the Institution of Engineering and Technology at the latter’s sumptuously refurbished HQ on the banks of the Thames.
Amsterdam’s annual media technology event welcomed more than 1,600 exhibitors and 55,000 visitors to its exhibition halls and conference sessions. The RTS and IET are two of the six partners behind IBC.
HDR is the next major development in Ultra-HD/4K television, vastly improving contrast and detail to enhance the viewer experience.
Wilson dismissed some of the myths that have built up about the new technology: tube cameras and cathode ray tube televisions are not HDR; and the first innovators of this new technology provided charge-coupled image devices for post-tube cameras.
In fact, it was transfer knees and slope processors that compressed highlights and stopped bright detail from blowing out, providing better peak definition for standard television sets.
Felix Renicks is an interactive news designer at Channel 4 News. Last year he created his first app for the channel.
Here he explains that thinking about which format to use, for example a map or a timeline, is fundamental when making interactive news.
The Society is offering 20 bursaries to students studying Television Production and Broadcast Journalism courses at accredited universities. A further five technology bursaries are also available to students studying Computing and Engineering at some of the top courses at British universities.
Renowned futurist David Wood has warned against a world in which “technology runs out of control” and viewers and consumers are “manipulated” by machines.
Wood was speaking on the “Accelerating digital revolution” at a special members-only London Centre event, hosted at IBC, in October.
The futurist, he explained, “anticipates a set of possible futures, including things that could go very badly [wrong], but, equally, is looking for opportunities”. Before embarking on a career as a technological seer, Wood was a pioneer of the smartphone industry.
It requires clarity – clarity of thought and clarity of action. It means being able to align technology deployment along business units and service capabilities. It means being able to distinguish between the cost of running the business and the cost of changing the business and it means being able to delineate effective spend from wasteful spend. This applies whether you are shipping cement or filming the next Happy Valley.