The challenges of a shifting TV landscape will be discussed by television executives at this year's RTS Cambridge Convention, chaired by BBC Director-General Tony Hall.
This year RTS Futures are joining forces with the Guardian Edinburgh International Television Festival Talent Schemes to host a celebration and party for you with some of the biggest names in the television industry.
This is a party like no other – an opportunity you could only dream of – a chance to meet the people behind some of the most talked about shows on British television, as we open the evening with a special Q&A session
Dr Demis Hassabis is the Co-Founder and CEO of DeepMind, the world’s leading General Artificial Intelligence (AI) company, which was acquired by Google in 2014 in their largest ever European acquisition. Demis will draw on his eclectic experiences as an AI researcher, neuroscientist and videogames designer to discuss what is happening at the cutting edge of AI research, its future impact, and how developing AI may help us better understand the human mind, including the nature of imagination and creativity.
Broadcasters fear that the global tech giants are hungry for their audiences and advertising. They are probably right to be fearful, but Google’s Matt Brittin had some soothing words for Britain’s TV community, mixed in with criticism, when he spoke at a sold-out RTS event in late November.
Two of Scotland's leading dubbing mixers are coming together to unravel the secrets of sound.
Kahl Henderson of Savalas: winner of RTS Scotland Award 2017 for Craft: Sound.
The Secret Agent (World Productions), Battle Mountain (Dir. David Street), Sheep and Wolves (Wizart Animation), Outlander (Sony/Starz) Shetland (ITV Studios)
Many broadcasters are convinced that targeted advertising is a silver bullet. They claim it will help level the playing field with Google and Facebook and so future-proof their businesses.
But at a packed RTS early-evening event, 'Is targeted advertising the future of TV?', it became clear that the debate over smart advertising’s role in commercial TV is more nuanced than that. It is conceivable that internet-delivered, personalised ads aimed at individuals will one day be as commonplace as driverless vehicles are expected to be.
At an RTS early evening event in late April, chaired by TV science specialist Maggie Philbin, a top-notch panel offered some solutions to a problem that affects not just telly, but the UK economy as a whole.
Women are grossly under-represented in science, technology, engineering and mathematics (STEM) – only 12.8% of the UK’s STEM workforce is female. This situation seems unlikely to change quickly given that just 15% of engineering and technology higher education students are female.
When the history of TV in the early 21st Century is written, The Crown, Netflix’s ravishing period drama recounting the reign of Elizabeth II, is likely to be regarded as a watershed moment.
The reasoning might go something like this: The Crown was the first genuinely cinematic, long-form TV show that audiences could watch how and when they wanted to, and it gave crucial impetus to Netflix’s international ambitions. Critics loved it and awards juries kept voting for the drama.
The BT Consumer boss also discussed the company’s first steps into drama, but refused to be drawn on any plans for expansion.
One day before the RTS event, BT extended its TV rights for the Champions League and Europa League until 2021 – but had to shoulder a 32% price hike.
In a wide-ranging conversation with Sally Bundock, presenter of World Business Report on the BBC News Channel, Petter denied that BT had spent too much acquiring rights that no other company – Sky included – was overly keen to win.
The Twenty Twenty Television production is that rare thing among dating shows – it wants audiences to like, not laugh at its lovelorn participants.
“The programme comes out of the docs department of Channel 4 so it’s not an entertainment programme, although it is entertaining,” said Sayers, who produces the series. “As much as it’s about love, dating and the funny, flirty, sexy things happening in the restaurant, it’s a documentary about people.”
“First Dates has this amazing way of tackling big topics and themes,” she added.