Based on Juckes’s real-life experiences, Care follows Jenny (Smith) a single mother of two, raising her children with the help of her widowed mother Mary (Steadman). When Mary suffers a devastating stroke and develops dementia, Jenny’s world falls apart, and everything changes for her and her sister Claire (Keenan). Torn between caring for her mother and following her own path, Jenny soon discovers that there could be another option, but it’s one she’ll have to fight for.
When we were making Accused, Danny Brocklehurst wanted to include a story about a taxi driver who takes a woman to the airport and then goes back and burgles her house. It was the stuff of urban nightmare.
The RTS Programme Awards, chaired by Wayne Garvie, honours excellence across all genres of television programming and recognise exceptional actors, presenters, writers and production teams, as well as the programmes themselves.
The BBC scooped 17 awards for its programmes and talent, and also won the coveted RTS Channel of the Year award.
Broken, which stars Sean Bean as a troubled priest working in an impoverished community, also features Adrian Dunbar and Anna Friel in a strong cast.
Like McGovern’s previous work – including the RTS award-winning Cracker and The Street – the Liverpool-set drama features memorable characters.
For a long, long, long time the problem with being a TV producer in Liverpool was very simply that there was no one to trade with. In other words, there was no TV culture.
I’m happy to say that I was one of the founding fathers of a show that ignited a new TV culture. Brookside began on 2 November 1982 at 8:00pm on the channel that gave birth to independents, which was, of course, Channel 4.
In a smooth transition, the personable Polly Hill has become the BBC’s new Controller of Drama Commissioning. She takes over without so much as dropping a script from LA-bound Ben Stephenson.
Her new job is one of the most coveted and powerful positions in UK television. Hill is responsible for the wide range of drama across BBC One and BBC Two, an estimated budget of £200m annually, spiced with the challenge of devising a new online policy, principally for BBC Three. She also has oversight of EastEnders, Casualty and Holby City.