Now's a great time to get into writing for TV. There have never been more opportunities for scripted programming. To stand out from the crowd, an idea should seem original and distinctive.
While the breadth of programming has increased, the traditional formats have remained dominant. Your writing should fit the standard models for a mini-series, a serial or an episodic series; 30 minutes for comedy, 60 minutes for drama.
“It’s important for me to have something to say. We’ve all written stuff that’s competent and empty,” said Sophie Petzal, whose television breakthrough came on CBBC dramas such as Wolfblood and Dangermouse. More recently she has written episodes for Sky Atlantic’s Riviera and BBC Two’s The Last Kingdom, and has original scripts in development with Company Pictures.
It doesn’t. For inspiration, I look at Victoria’s own watercolours of Christmas at Windsor. Albert wanted to recreate the Christmases of his Coburg childhood and he put up a tree for each of their nine children, hanging them from the ceiling with tables, called altars, for presents underneath. For all their cosy, domestic image Victoria and Albert, weren’t afraid of a little bling.
