lighting

Let there be light

Prince Harry and Meghan Markle (Credit: BBC/Getty)

Davis, who has more than three decades’ experience in television lighting, discussed some of the major royal events he has covered in his talk, “Four weddings and a funeral”.

He began with the 1999 wedding of Prince Edward and Sophie Rhys-Jones at St George’s Chapel, Windsor Castle. The lighting director spoke about the challenges of trying to match the bright light flooding through the stain glass windows against the unforgiving light-soaking dark wood lining the aisle.

Let There Be Light! & Summer BBQ

Bernie Davis started life in the BBC TV Outside Broadcasts to become one of their senior lighting directors. Since leaving the BBC Bernie has become has been an established TV Lighting Designer for over twenty-five years working on many of the highest-profile programmes ranging from events in cathedrals and palaces, to concerts and light entertainment shows, plays, opera  and ballets from The National Theatre and Covent Garden.

Belfast workshops season a ‘huge success’

The "project children" featured in the documentary "How To Defuse a Bomb – The Project Children Story" (Credit: RTÉ)

Alleycats head of production Judy Wilson kicked off the season with the session, “How to manage a production”. Over almost five years at the indie, she has worked on many projects, including the BBC NI/ RTÉ documentary, How to Defuse a Bomb: The Project Children Story.

 

Ryan Kernaghan, the director of photography on revenge thriller Bad Day for the Cut, offered a crash course in camera and lightning techniques, explaining to the students in the audience how they should prepare for a shoot. 

 

Peaky Blinders and Riviera Cinematographers stress the importance of lighting

Cillian Murphy in Peaky Blinders (Credit: BBC)

Lighting is key to camera work, says cinematographer Laurie Rose. It’s essential to establishing a look or mood for a scene. “The important thing is to tell a story and create mood using light,” he explains. 

Between them Laurie and cinematographer Matt Gray have credits on shows as varied as Peaky BlindersBroadchurch and Riviera

Event report: Lighting from Every Angle

Doctor Who Proms 2013

The panel discussed their careers, current technology and how to say “no” to directors, as well as offering advice on breaking into the industry.

As a child, cinematographer Stuart Harris spent his lunch money on Sight and Sound magazine and admission to the latest art-film releases. Following school, he became a mail boy, before working as a runner on Roger Corman’s 1964 film The Masque of the Red Death and then as a clapper loader.