Ear Candy

Especially in the politics genre, where the likes of Alastair Campbell and Rory Stewart’s The Rest Is Politics and George Osbourne and Ed Balls’ Political Currency continue to hold office.

She wasn’t exaggerating. The same profile noted that, of the 14,488 messages marked for review by the BBC’s online abuse monitoring system (between 1 January and late June in 2023), 11,771 were directed at the broadcaster’s Disinformation and Social Media Correspondent.

It’s a tragic irony of the job that, by investigating cases of online hate you inevitably become the victim of one. And yet Spring refuses to back down from this new virtual front line, ie, her inbox.

As Sally Wainwright’s masterful Yorkshire noir approaches the end of its third and final series – and Sarah Lancashire’s heroic Sergeant Catherine Cawood her long overdue retirement – it’s worth savouring every episode.

Obsessed with... Happy Valley is the BBC’s companion podcast, in which comedians Amy Gledhill and Isy Suttie discuss the drama episode by episode. From the start, Wainwright begins to weave several narrative strands, so there is plenty to pore over.

In a welcome shake-up of the celebrity-on-celebrity interview format, each episode sees Burke invite a famous friend to bring their best gallows banter and fantasise about their deaths.

She has described it as her “fantasy football” version of death and funeral planning. The likes of James Acaster, Jamali Maddix and Stewart Lee are on the line-up. But the draw is undoubtedly Burke herself, and it’s as sweary and smutty a podcast as you could hope for from her.

In a clear statement of intent, a recording of Maitlis’s headline-making MacTaggart Lecture, in which she decried the BBC’s version of “impartiality”, was published under the title before the launch proper.

In other words, this time it’s partial. Some were sceptical about the appetite listeners would have for the opinions of these erstwhile public service ­journalists but The News Agents has taken up permanent residence around the top of the charts, alongside that other opinionated podcast, Alastair Campbell and Rory Stewart’s The Rest Is Politics.

Given their respective backgrounds – maverick political high-flyers, each with their own distinctive hinterlands – theirs is a penetrating gaze.  

Campbell, a prolific journalist and writer best known as Tony Blair’s acerbic spin doctor, knows No 10 from the inside. Stewart, Secretary of State for International Development in Theresa May’s Cabinet and an early public critic of Boris Johnson, is also a best-selling author, academic and royal tutor.  

I say this not simply to air my grievances but to recommend a defence against such snobbery. Pandora Sykes and Sirin Kale’s new 10-part podcast, Unreal: A Critical History of Reality TV, makes a thorough case for the genre’s cultural significance, without turning a blind eye to its shaky ethical foundations.  

It probably sounds strange, but there’s no better way to put the brakes on your own racing thoughts than to listen to two grown men lying in a bunk bed, rambling on about life and death and everything in between.

That’s the basis of their podcast, Bunk Bed, which first aired on BBC Radio 4 in 2014 and has just finished its ninth series. There’s no structure, only what they describe as a “stream of semi-consciousness,” which gives rise to any number of random thoughts, often silly but sometimes quite profound.

In Things Fell Apart, he excavates the battlegrounds of the American culture wars to find their origin stories, and explains how, exactly, things fell apart and left the country so fractured and polarised. Abortion, homosexuality, cancel culture, Satanism – he picks the biggest and most violent battles. But the episodes start in such obscure places and take such unexpected turns that each one is a revelatory listen. 

The concept sounds standard enough: actor and comedian Seth Rogen asks famous friends to tell a personal story. But Rogen transforms the stories into breezy “audio documentaries” that are, by turns, wholesome, funny and surprisingly revelatory. 

The first episode, Glorious Basterds, is a definitive rejection of that old adage, “never meet your heroes”, as comedian Quinta Brunson recalls her chance encounter with Paul Rudd at a matinee of Inglourious Basterds, where he inspired her to leave the Jehovah’s Witnesses to pursue freely a career in comedy.