The latest RTS Futures Careers Fair took an absorbing behind-the-scenes look at the Disney+ adaptation of Jilly Cooper’s riotous bonkbuster Rivals. Writer and executive producer Dominic Treadwell-Collins opened the lid on the hit series for a packed room of young talent among the 1,800-plus people who registered for the fair. Making TV can rarely have felt such fun.
Pascale Kann (September Says) plays main character Chance, a 17-year-old who is as smart as she is fierce.
In late 2030s Margate, inequality, temperatures and sea levels are all soaring, and the political landscape is just as tumultuous. Chance has had to turn to crime to provide for her family, but a government rejuvenation scheme promises to breathe new life into her town. When Chance falls for the much-more privileged Franky, though, she learns that not everything is as it seems.
If you can’t think of a single thing for your second cousin thrice removed, why not look for inspiration in people you might know a little bit better…
Was television really like that in the 1980s? That was the question from a thirtysomething producer, asked a little enviously perhaps, after seeing Rivals. “All that sex, drinking and smoking?” Yes, it absolutely was.
The raunchy Disney+ series is based faithfully on Jilly Cooper’s 1988 “bonkbuster”, one of the Rutshire Chronicles, set in a county inspired by the Cotswolds. Life here is dominated by rutting, closely followed by smoking, drinking and feuding.
Tone is a vital ingredient of a TV show but one of the hardest to define. And as far as tonal tightropes go, adapting a Jilly Cooper “bonkbuster” for a modern audience is one of the great high-wire writing acts of recent times.
Turning a TV franchise tussle into a gripping battle of fragile (male) egos, Rivals is both a riotous celebration of the 1980s and a depiction of disturbingly backwards sexual politics.
The announcement came in the form of an Instagram reel of scenes and quotes from the first series. According to Alex Hassell's local lothario and MP Rupert Campbell-Black, the second helping is "guaranteed to be even more pleasurable."
Dominic Treadwell-Collins and Laura Wade led the writers' room who adapted the first half of Jilly Cooper's 'bonkbuster', bringing to riotous life the heady days and TV franchise battles of Cooper's heightened 1980s.
