BBC

Agents make a bid for content production

Entourage (Credit: Sky)

This begins with a true story. I have withheld the real names, as I still want to do a little business, and certainly have lunch now and again, in LA. Some years ago, I went to see some senior executives at one of the major US talent agencies. We chatted amiably for the first 10 minutes, as you do. The normal stuff. “How long are you in town?” “I love London… you must know my friend Jack. He lives in Liverpool. That’s kinda near, isn’t it?” “The guy who runs NBC is going to be toast by Christmas.”

RTS gets festive with a look at Christmas TV past, present and future

Anita Singh, Lord Grade, Kate Phillips, Kate Russell (Credit: Paul Hampartsoumian)

Over nearly four decades, Michael, now Lord, Grade walked the corridors of power at London Weekend Television, the BBC, Channel 4 and ITV – no one is more qualified to discuss the enduring appeal of Christmas telly.

Lord Grade commissioned many of the nation’s most memorable festive programmes, including the 1986 Christmas Day EastEnders when Den issued Angie with divorce papers. Ratings topped 30 million, although that figure includes viewers of a repeat showing.

Killian Scott and Sarah Greene lead new BBC drama Dublin Murders

Killian Scott and Sarah Greene (Credit: BBC)

Inspired by Tana French’s Dublin Murder Squad novels, the series follows detectives Rob Reilly (Killian Scott) and Cassie Maddox (Sarah Greene).

It sees the pair attempt to solve the murders of a young ballerina and a vivacious free-spirited woman.

Set during the height of the Celtic Tiger financial boom, the two murders, seemingly unrelated, are revealed to be connected through the cruel elements in both cases.

Charlotte Moore: "We risk seeing fewer and fewer distinctively British stories"

Three Girls, written by Nicole Taylor (Credit: BBC)

Further evidence that the BBC is striking a more strident tone as it calls for greater resources in the streaming era was provided by the corporation’s director of content, Charlotte Moore, in her recent Steve Hewlett Memorial Lecture.

In a wide-ranging and, at times, feisty speech aimed primarily at policy­makers and politicians, Moore argued that trusted, authentic British storytellers in the tradition of Hewlett risked being undermined unless the BBC was properly funded.

The rise and rise of daytime TV

This Morning's 30th anniversary episode saw the show's biggest audience for nine years (Credit: ITV)

Daytime TV has long been the butt of comedians’ jokes. In an episode of Mock the Week last year, Hugh Dennis pretended to be a weary daytime announcer: “Well, because they’re all the same, and I can’t be bothered to announce them all, here’s Flog Dickinson’s Antiques Sun Hammer Pointless Breakout in the Country… finishes at 5pm.”