Jonathan Glazier, studio multicamera director on shows that include Asia’s Got Talent and Million Pound Drop, advised the students to make their own content. “I started with a Super-8 camera [when] the filming and developing costs were very high, but now everybody has a mobile phone camera in their pocket,” he said.
Pia Di Ciaula, film and TV editor specialising in drama: “On The Crown there is no difference because Stephen Daldry (the director) and I treat every episode like a feature film, but prior to that there was a big difference.
“I moved to the UK (from North America) so I could edit independent films with the best directors and actors in the world.
Santana: “I arrived here, jobless, from the Canary Islands in 1994, and wanted to carry on editing.
“I did a very short online course in order to get into low-budget TV. It was great experience and led to me working on National Geographic documentaries.
“You shouldn’t be sniffy about low-budget productions as an editor because it’s fantastic experience. When you’ve got really tight deadlines, it makes you think quicker.”
