On 7 September 1927, John Logie Baird demonstrated his “noctovision” to a room full of enthusiasts at Leeds University. Baird referred to the technology as “seeing by electricity”.
At the close of the meeting, the formation of the society was proposed. Then known as the British Association, many of the founder members were from Leeds and Yorkshire.
‘Recalling the early days of television and the Society, and then looking at things today, may be rather like looking at an acorn and then the oak tree and wondering how it all happened.” WC (Bill) Fox’s words from 40 years ago, on the occasion of the Society’s 50th anniversary, illustrate what television felt like to him in 1977. The Press Association journalist was present at the start of the Society – and even at the birth of television itself, as an enthusiastic supporter of John Logie Baird.
The service initially used two different, incompatible systems which were alternated weekly. These were the 405-lines interlaced scan from Marconi-EMI, and the 240-lines progressive scan from Baird Television Ltd.
Initially the press favoured the Logie Baird system because there was a delay of 60 seconds before the image would appear on screens. At a press demo of the technology this meant that the journalists could dash around the camera and see themselves still on the screen. However, the Logie Baird system was deemed inferior and was dropped after only three months.
Travel through the history of British television in this interactive timeline
Prior to his success with the invention of the television, John Logie Baird was unlucky and struggled with a series of unsuccessful projects.
He had tried and failed to create artificial diamonds and attempted to create a cure of haemorrhoids which left him in considerable pain.
At 104, Paul Reveley is the Society’s longest-standing Fellow and its oldest member.
Paul was one of the great pioneering engineers of British television in the 1930s.
His membership of the Society was approved in December 1937, just over a year after the start of the BBC Television Service from Alexandra Palace. It was also six months before the first production Spitfire was delivered and a week before the premiere of Snow White and the Seven Dwarfs, Disney’s first animated colour film.
