The challenges of a shifting TV landscape will be discussed by television executives at this year's RTS Cambridge Convention, chaired by BBC Director-General Tony Hall.
Written by debut screenwriter Siân Robins-Grace, who has acted as a co-producer on Sex Education, De Swarte will play 38-year old Natasha, the friend who has never made long-term plans and spends her life doing things on her own terms. When she’s suddenly landed with a baby, her solipsistic life dramatically implodes. With controlling, manipulative and violent powers, the baby soon turns Natasha’s life into a living hell.
As Natasha begins to discover the baby’s truly deadly nature, she makes increasingly desperate attempts to escape, but the baby simply won’t let her.
Michaela Coel discusses writing her groundbreaking series I May Destroy You as she accepts the awards for Mini-Series, Actor - Female and Writer - Drama at the RTS Programme Awards 2021, in partnership with Audio Network.
The series, which aired on BBC Two in the UK and HBO in America, follows a group of young graduates vying for a permanent position at the cut-throat investment bank, Pierpoint & Co.
Industry’s first series centres around Harper (Myha’la Herrold, an American fish-out-of-water struggling to find her feet in London’s fast-paced financial district. She is forced to go above and beyond to prove her mettle among a cohort of hyper-competitive graduates.
Kassell will also act as an executive producer for the eight-part series, having recently directed and executive produced dystopian superhero drama Watchmen.
The Baby, co-created by screenwriter Siân Robins-Grace (Sex Education) and Lucy Gaymer, takes a stark and unflinching look at the anxiety over the dilemma of whether or not to have children and what the supposed joy of motherhood really looks like.
Such was the case for Konrad Kay, the co-creator of the new HBO and BBC drama Industry. After three years at a top American investment bank, Kay was ultimately sacked for being ‘the worst salesman the bank had ever seen’.
“I think my boss actually said that to me almost word for word,” he laughs, “but I didn’t leave under a cloud, we were really good mates. I thought it was totally fair”.
Co-created by debut screenwriter Siân Robins-Grace (Sex Education) and Lucy Gaymer (Production Manager for Gangs of London), The Baby is a darkly funny delve into the depths of motherhood.
When a baby is thrust upon unsuspecting 38-year-old Natasha, she is forced to give up her comfortable life of freedom and indulgence to be at their beck and call.
Far from your average case of parental compromise, the baby possesses such manipulative and violent powers that Natasha’s life spirals out of control.
The guessing game about HBO’s Succession takes off towards the end of the first episode, as the capo dei capi, media tycoon Logan Roy (played by Brian Cox), suffers a suspected brain haemorrhage. It seems the succession will be a simple coronation.
Shocking. Bleak. Controversial. Devastatingly brilliant. All these descriptions are true of HBO and Sky’s five-part retelling of the 1986 Chernobyl disaster. The HBO and Sky series has been one of the most talked-about dramas of the year so far, lauded by critics and helping to confirm the current golden age of TV.
At times, the events depicted in the programme were so incredible that many viewers have questioned what was real and what is made up.
Best Interests tells the story of two parents who must make a life-changing decision that no one could ever want to make.
Andrew and Nicci’s daughter, Marnie, suffers from a life-threatening condition to the extent that medical staff have suggested that it would be in her best interests to be allowed to die to end any suffering.
Andrew and Nicci struggle to contemplate the decision and launch a legal battle to prevent their daughter’s death.