Our Friend in the North East: Graeme Thompson
One of my summer highlights this year is the garden party to mark BBC Radio York’s 40th birthday. I began my BBC career with the station and can’t wait to catch up with fellow Yorkies.
One of my summer highlights this year is the garden party to mark BBC Radio York’s 40th birthday. I began my BBC career with the station and can’t wait to catch up with fellow Yorkies.
In our case it was a room on the top floor of Sunderland’s new City Hall. In Lin-Manuel Miranda’s stage musical Hamilton, it was a house in Lower Manhattan. But on both occasions, key players gathered to shape the future.
No one really knows how the game is played
The art of the trade
How the sausage gets made
We just assume that it happens
But no one else is in the room where it happens
The spectacular North East coast is a popular location for TV and film. Right now, its castles, cliffs and endless sandy beaches are playing host to ITV’s Vera and at least two Hollywood movies.
But location work – though good for the tourist trade – isn’t enough to sustain the region’s screen sector, which has never really recovered from two decades of successive rounds of BBC and ITV cuts.
It was Groundhog Day for me when news broke that the BBC was proposing to cut £25m from the BBC England budget by 2022. Flashback to redundancies across regional programme teams, the culling of popular titles and complaints from audiences seeing and hearing less about where they live.
To Belfast for the weekend, staying at a Titanic-themed hotel next door to the studios where HBO films Game of Thrones. The charred battlements visible above the lot are a clue to how the final episodes play out.
Over eight seasons, Game of Thrones has spent more than €320m in Northern Ireland. In addition to the Titanic Studios, there’s another studio in Belfast Harbour filming a Superman spin-off.
We are in the wintry Northumberland countryside to celebrate Burns Night with friends on the lakeside at Kielder Water – a vast man-made reservoir surrounded by dense forest. Surprisingly, the chatter is not about the imminent delights of haggis, bagpipes and single malt, or the excitement of gathering beneath the darkest skies in Northern Europe – so prized by stargazers.
You wait years for big news about TV in the regions. And then in quick succession at the Nations and Regions Media Festival in Salford, along comes not one, but two major announcements about production outside London.
First Sharon White from Ofcom talked about the challenging quotas she was imposing on the BBC in her new role as the corporation’s regulator.