Monthly Publication of the RTS
November 2022
Making sense of the permacrisis is the new political normal for Beth Rigby.
The new series of The Crown is provoking fresh controversy over its depiction of real events,...
Tara Conlan reports on how the so-called ‘golden quarter’ may lose some of its lustre in a tough ad...
Claire Enders assesses how audiences and advertisers are likely to respond to the new streaming...
Julia Hardwell worked on classic kids’ programmes such as Art Attack and Blue Peter before moving...
Matthew Bell rewatches a seminal drama whose all-too realistic characters are mired in an...
Earlier last month, an online Futures event heard from four young people who have navigated their...
In August, former BBC heavyweights Emily Maitlis, Jon Sopel and Lewis Goodall stepped into the...
The Society has announced 45 new undergraduate bursaries, a record high for the scheme that began...
Sebastian Cody is to receive the Shiers Trust Award 2022 for a book bringing together the writings...
In October, RTS London and the Institution of Engineering and Technology (IET) picked out the...
Lisa Holdsworth hails the non-TV bodies helping to grow the region’s flourishing television sector...
The RTS learns how broadcasters have turned to social media in search of new audiences and revenues...
Rhys Bevan, head of content operations at S4C, described the nearly seven-year journey undertaken...
Matthew Bell discovers how hit drama series are being successfully adapted for new markets around...
ScreenSkills, in partnership with RTS Scotland, held an unscripted television networking...
Having spent two years meeting via screens, TV’s next generation proved there is no substitute for...
The state of the screen industry in the East of England took centre stage at a relaxed, but thought...