From page to screen: how The Night Manager got made
She said that long-form TV drama was where the best writing now took place.
“I’ve probably read 100 scripts in the last five or six weeks and there is no doubt that primarily the great writing is in television, it’s way better,” said Bier.
“There are exceptions. There are a couple of good feature scripts but in general it’s much better in TV.”
Bier, the only living woman to have won an Oscar, an Emmy and a Golden Globe, was speaking at an RTS event, The Night Manager – Anatomy of a Hit.