E4

Chewing Gum returns for second series

Written, produced and created by RTS Breakthrough actress Michaela Coel, who also stars in the series as Tracey, is back for a brand-new series on E4.

Chewing Gum follows religious, Beyonce-obsessed 24-year-old Tracey Gordon who is determined to find out about the world and herself. We last saw Tracey at the end of series one having been thrown out of her home, along with her ex-boyfriend Connor having lost his job and her sister Cynthia's wedding day ending in an absolute disaster.

Channel 4 acquires US hit comedy black-ish

Currently in its third season in the US, the show stars Anthony Anderson (Kangaroo JackThe Departed) as Andre Johnson, a middle-class father of four who is afraid he and his family have lost sight of their culture as black Americans living in a white suburban neighbourhood. The series follows Andre's attempts to reclaim his family's heritage and encourage his children to celebrate their roots.

Sean Bean gets Wasted on E4

Sean Bean, Game of Thrones,

The show from BAFTA-winning writing duo James Lamont and Jon Foster (Cuckoo), centres around four friends in the West Country who pass their time getting wasted.

Morpheus (Danny Kirrane – Trollied) is a fantasy fanatic who runs a bong shop with his neurotic sister Sarah (Rose Reynolds – The World’s End). He harbours a flame for their quirky mate Alison (Gwyneth Keyworth – Game of Thrones) who runs a tattoo parlour from the back of the shop.

Final preparations underway for RTS Programme Awards 2016

Ant and Dec are nominated for the Entertainment Performance award and will battle it out against The Last Leg's Adam Hills and A League Of Their Own's Jack Whitehall. The Last Leg also receives a nomination for Entertainment programme where it will complete against Release the Hounds and The Graham Norton Show. 

TV comedy experts examine the challenges facing the genre

Nerys Evans, Simon Lupton, Gregor Sharp, Jessica Knappett and Boyd Hilton

The classic sitcom no longer rules the TV schedules in the way that shows such as Fawlty Towers, Open All Hours and Porridge did in the 1970s. Or does it?

A panel of TV practitioners attempted to tease out the answer last month at an RTS early-­evening event, “No laughing matter: how does comedy fight back?” This stimulating debate made one think that we could be living through another golden age of TV comedy without necessarily knowing it.